The New Movie Magazine (Jan-Sep 1935)

Record Details:

Title:
The New Movie Magazine
Date:
Jan-Sep 1935
Publisher:
Tower Magazines, inc.
Volume:
The New Movie Magazine (Jan-Sep 1935)
Leaf #:
000344
Language:
English
Collection:
Fan Magazines
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Relatively short-lived magazine that nonetheless played a crucial role in the gossip industry. Launched in 1929, it cost only ten cents, when the majority of high-end magazines sold for a quarter. It was also primarily sold through Woolworth’s five and dime stores; the combination of cost and accessibility led to its dominance, by 1933, over all other magazines (circulation: 650,000). As a result, the other magazines decreased their price to match New Movie’s. New Movie had less content and poorer quality drawings and illustrations, but the content similar in tone and quality to that of the high end magazines. Ceased publication in 1935. -- Anne Helen Petersen, 2013. Secondary sources consulted: Inside the Hollywood Fan Magazine by Anthony Slide and MovieMags.com.
Date Added:
June 06, 2024
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McmzfismL I ndm&vL For Franchot Tone, because he finally got a chance to show what he could do, in "The Lives of a Bengal Lancer," and did it so well that he's headed for stardom. . . . For Edna May Oliver, because her superb Betsy Trotwood in "David Copperfield" will never be forgotten. For Lumsden Hare, who lifts "bits" to high artistry. TCCj Clh IM ■fO £uu3 Siegfried Numann, in real life a dapper man-about-town, is turning in first-rate character work in heavy make-up . . . It's news when a come-back stays a come-back, and that's just what sweet Billie Burke has done . . . Jock Whitney, socialite sportsman, is the man behind the new Pioneer Pictures, Inc., who will make movies in color. QiQMd n ow&thm) 24 Ann Dvorak, who walked out on Hollywood just as she reached the top, is coming back strongly after her work in "Sweet Music" . . . Everybody mentioned the voice of the singer in "Babes in Toyland." He was Felix Knight . . . Little Patricia Ellis, at the right, is climbing steadily, in "Hold 'Em Yale" and "A Night at the Ritz." The New Movie Magazine, May, 1935