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COLUMBIA
On-the-Set Reviews
(Continued from page 61)
with a fiendish delight in tormenting us. that nice director, Stephen Roberts, just grins and says: "Wouldn't you like to know?"
So, tearing a few strands out of our new permanent, and gnawing away at a fifty cent manicure, you . . . and you . . . and especially I, will have to wait and find out. Sorry.
Here is a meaty
EIGHT BELLS tale> from the Pen m of Percy S. Mand
ley, with a storm at sea, a freighter periled, mutiny aboard and, of course, a sweet little romance that ties the whole thing together.
Demoted to position of first officer on his own ship because Ann Sothern's papa wants to give her fiance a chance to show off, Ralph Bellamy takes it just about as hard as any of us would.
To be with her prospective husband, Ann and her auntie stow away aboard the lugger, and when Ralph discovers them, boss's daughter or no boss's daughter, he sticks out that Arrow Collar chin of his and proceeds to be as disagreeable as possible.
When the fiance stubbornly runs the freighter into a nasty storm, Bellamy tries to straighten out the damage, but, by the time Ann's boy friend realizes his mistake, it's almost too late to do anything but swim for it.
With only one remaining life boat, the boy friend drives the frantic crew into near-mutiny by suggesting that the two gals and ten men (himself included) go over the side and pull for the shore.
Seeing her emotional error, Ann refuses to run, and the crew, heartened by her example, change their minds and stay aboard to take the one chance in a hundred.
After it's all over and the cargo safely landed, Ann goes to the strong, silent Ralph, apologizes for her attitude and throws herself into his arms.
You vaudeville
MACEADDEN'S patr0ns must re
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• times you have
PARAMOUNT rolled in the aisle at the droll humor of Walter Kelly, billed as the "Virginia Judge."
Well, here he is in the role of the Irish bricklayer who rises to a position of importance as an apartment house builder and owner, in this Gus Hill story.
Between Kelly and Andy Clyde, the Scotch barber friend who is always coming to Kelly's rescue (financially) the company, technicians, prop men, and all are having a tough time keeping their hard-boiled faces straight while the cameras are rolling.
Between scenes, Kelly and Jane Darwell, his picture missus, sat by an oldfashioned dining table and discussed dogs.
Miss Darwell has half a dozen of them . . . "nothing fancy," she warned the interested Kelly, "just plain mutts, most of them. But, I love every hair on 'em, bless their faithful hearts!"
In the picture, Kelly's daughter, Betty Furness, is in love with Dick Cromwell, the barber's son. All is smooth until the Kellys decide she should have a little social polish, and then comes the revolution.
Going a bit high hat, Betty is ashamed to have her fine friends see Pop in overalls and carrying a gold hod
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as he leads the grand parade of hod carriers.
But, when it develops that the father of the society lad she's trekking around with has been raised along with Pop Kelly near the railroad, things take a turn for the better . . . and funnier.
More mysTHE CASINO tery can
MURDER CASE you take it? . . .
• with the Con
M-G-M tinental Paul
Lukas doing the
deducting and general Philo-Vancing as
the author, S. S. Van Dyne, likes it.
Called in to investigate some very funny goings-on, Lukas finds himself in the middle of an eccentric family as well as some mysterious circumstances.
Alison Skipworth, her brother, Arthur Byron, and her son, Donald Cook, all carry on in a very peculiar fashion. The only one in the place who seems to be all there, is Rosalind Russell, secretary to Skipworth, and the minute Paul lays eyes on the gal . . . Pop ! goes his heart !
When Byron hands a glass of water to his nephew, the kid tosses it off and falls to the floor, almost poisoned to death! And, while they're rushing for a stomach pump, word comes that his wife, Louise Henry, has been murdered !
Shortly after that, Skipworth is found with a bullet in her head and a phony suicide note, confessing to the murder of her daughter-in-law. Paul finally runs down the real murderer, and . . . will you be surprised?
Snooping around the joint, Paul surprises the maid, Louise Fazenda, tiptoeing around, very suspicious-like.
"Ah-ha, Becky!" he says. "I'm afraid I've caught you 'inflagrante delicto'!" or something.
"No, sir!" declares Louise. "It's a cape, that's what it is!" She fluffs the feathers and goes to look at herself, proudly, in the bathroom mirror. "I always wanted a cape," she sighs. "Miss Virginia said I could have it. It's shedding, anyhow . . ." defiantly.
And . . . "Cut!" says Director Marin.
Anatole France
SPRING named this "The Crime
IN PARIS of Sylvester Bonnard," « but we'll take "Spring
It K o ^n Pai"is" and like it!
All his life, O. P. Heggie has searched fruitlessly for a muchdesired book, "The Golden Legend." Looking over his old treasures, he discovers a note from an old sweetheart, and is surprised to find that it has been written on the back of a page, torn from the very volume he covets !
Hurrying to Lusance, he learns that his sweetheart is dead, but that her daughter, Anne Shirley, is being held in a girls' school, because her guardian has caught her writing love verses!
Then comes the "crime"! Because her life at the school is very unhappy, Anne persuades Heggie to take her away.
Finding them out, Anne's mean old guardian threatens to prosecute Heggie unless the old fellow will auction off all his precious books and give the proceeds to him as sort of bribe.
Right in the middle of the auction, an old friend dashes in with a copy of "The Golden Legend" that he has got cheap from a thief who stole it from the library, years ago. And, who do you think is the crook? Why, nobody but Anne's disagreeable guardian!
Which puts the old meanie right where he belongs; which fixes everything up swell for Anne and Heggie; and which brings us to the place where we must say "That's all there is . . . there isn't any more" . . . until next time.
62
The New Movie Magazine, May, 1935