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*AVA< i
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a part of it. Try it. See for yourself, if ever you knew a powder to stay on so long . . . and smooth al! the while it stays. There's another thrill in it too! The fineness that lets Savage cling so endlessly, also makes the skin appear more truly poreless, smoother, more inviting to the eyes. And the thrill that there is in touching a Savage powdered skin could be told you only by someone else! There are four lovely shades:
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WHITE KID SHOES CAN BE KEPT
MEW
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How? By always using ColorShine special White Kid Cleaner (10c) that dissolves the dirt oft instead of cutting it off with sharp abrasive. The original kid finish polishes beautifully, ( or leave dull if you prefer) and "won't
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Douglas Shearer
KING OF SOUND
YOU have seen his name upon the silver screens of America hundreds of times, yet you haven't the slightest idea of what he looks like. His name is as synonymous with MetroGoldwyn-Mayer as the famous lion of Culver City, and yet he remains an even greater enigma than Garbo! Outside of the fact that he is Norma Shearer's brother little else is known of him.
What Irving Thalberg is to production, Douglas Shearer is to sound. On the lot where Garbo, Joan Crawford, Clark Gable, and Helen Hayes run the gamut of emotions, he is regarded as the big mogul of what makes the movies talk. His is the last word on how the dialogues they speak shall sound to your ears. In his own realm he is King supreme, and ranks even higher in his work than Norma Shearer does in hers!
Metro-Goldwyn-Mayer is the only motion picture company he has ever worked for. He went there shortly before the movies found their voice, and is about to complete a ten year record. He has read about the Depression, but he has no reason to believe there was one. Originally a civil engineer in Canada, having no interest whatsoever in Art, he was drawn to the work by watching the frequent appearances of his famous sister.
With the advent of talkies he saw his chance to apply his knowledge to pictures in a scientific way. It was the wedding of Science to Art, with himself in the role of minister. That the marriage has been a successful one is an undisputed fact. The company for which he works regards him with such high opinion that they pay him the salary of a great star.
His office is a laboratory of voices. From his desk he is able to hear the dialogue that is being spoken on a dozen studio sets. It is his business, besides supervising every foot of sound film made in the studio, to criticize the voices of the players, and to find the proper key pitch for them.
When a performer is called upon to sing, and cannot, it is Mr. Shearer's job to dub another voice into the sound track with such perfection that the deception cannot be detected by even the most observing spectators. In his trade there are a thousand tricks — and he knows them all. He has five senses, even as you and I — but he is only interested in one. Voice! He is happily .married. His wife can talk as much as she likes. He always listens. You see, his business is sound!
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Laurels for Hardy
(Continued from page 63)
know what it's all about, and I was one of them. It was not until I turned to writing that I knew anything about comedy. Before that I just worried my head off for nothing."
"Do you ever worry now?"
"Yes, trying to get intelligent comedy. It was only an emergency that brought me back to acting. Hardy was already established at the Roach studio with another comedian. But at the last moment a change had to be made, so I jumped in and played with Babe in a story I'd written."
You'd never suspect it, seeing him on the screen, but he has to do a lot of thinking.
"Whatever else they may be, the characters we play are not the 'fresh' type," he was proud to say. "This is the one thing we always keep in mind. We do our best to make them sincere. If, for instance, we are papering a room we really try to do it. Most of all, we try to show we have a good reason for what we are doing. Once in a while, in my part, I get an intelligent idea, and Hardy goes for it. It's that single flash of intelligence that makes us want to better ourselves. We really want to get on Easy Street, but we can't make the grade. We start out with a real idea, then ball it up. In the beginning we're fine, in the end we're a mess. But there's never a bad thought in our minds. We want to help each other, just as so many people do, but somehow everything we do is wrong."
"Do you ever feel the need of romance in your pictures?"
"No," he howled. "If there's any 'feminine interest' in one of our comedies we're always married, you may have noticed, when the picture opens. We take no chances. We have wives right from the start — God knows how we ever got them!"
"That's just what I think about it, too," agreed Hardy.
Meanwhile I wondered what they thought about each other. To find out, I used all my low cunning to maneuver them apart.
Said Laurel : "Hardy inspires me. He is like the character he portrays because of certain individual traits. To me he is refreshing, so darned human! His humor lies in the funny way he thinks. I can look at him and know just what he is thinking. His moods are very funny to me, the moods of a born comedian."
Said Hardy: "Laurel is the most unselfish man that ever lived and the funniest man in the world, as a comedian, as a writer, and as a human being. He is so distinctive that he stands absolutely alone. He doesn't depend upon funny clothes to make him funny, he is funny in himself. And I have sense enough to stand back and let him be funny."
Yes, they really like each other.
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64
The Neiv Movie Magazine, May, 1935