The New Movie Magazine (Jan-Sep 1935)

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1 . Preparation for the take. At his rickety desk the harried script clerk gets the stars' cues ready. 2. High above the stage a spotlight man swings the beams of his great flood lamps into line. 3. Tense — working with high speed and precision — other electricians on the set balance lights with his. 7. Two burly prop men fuss around with a cake to be used later in the scene, getting everything right. 8. Hastily the second cameraman checks his focus. Head inside the camera, he peers through the film. 9. "Miss Crawford! Mr. Montgomery! We're lighting you from this side," says the cameraman. 13."Take your positions." With Joan still rehearsing, the camera is focussed to the tip of her nose. 14. "Ready, Camera? Ready, Sound? O.K., we'll take it," says Griffith. "Here we go. Roll 'em!" 15. On the set, Joan and Bob go into character. Note Bob's closed eyes and Joan's lifted head. These pictures were taken with a special camera no bigger than your hand, with a lightning-fast lens. Nothing like them has ever appeared in any motion picture magazine before now. Notice especially the one of Joan rehearsing for her director. We can't help feeling proud. New Movie has scooped the world! PHOTOGRAPHS BY TOM EVANS 19. Two seconds later. Bob has closed his mouth. Joan answers him. The cameraman watches them. 20. "Swell! Couldn't be better," smiles the director: "All right boys. Cut!" The New Movie Magazine, July, 1935 13