The New Movie Magazine (Jan-Sep 1935)

Enjoy Worm Weother WITH COOL MEALS Here are three helpful circulars with menus and recipes, each one ten cents, which will lighten your day's work and keep your family happy and well-fed. WARM WEATHER MENUS Breakfast, lunch, dinner First-course recipes Salads Children's meals Desserts FRUIT RECIPES With meat Fruit salads Shortcakes Fruit pies Beverages REFRESHMENT MENUS Menus-recipes for I and 2 courses Party sandwiches Home-made pastries Party plans Send ten cents for each complete set to Tower Magazines, Inc., 55 Fifth Ave., New York, N. Y. GLOMUS LASHES mJU*U ,, * ■ -: mou/unid IF you would be irresistible — with Ions, thick, glamourous, shadowy lashes — then use EY-TEB Mascary . . . the tear-proof and streakproof mascary that famous stars endorse. This new, creation literally glorifies your eyes . . . makes them large, bright and starry. EY-TEB Mascary requires no water. It is applied in creamy form directly from the tip of its tube to your lashes. It does not make your lashes dry and brittle but leaves them soft, silky and lovely. Try The New EY-TEB Mascary today at your local Woolworth store. Black for Brunette . Brown for Blonde . Dark Blue for both . for Evening iP) $10 1 a Lot o {Continued from page 57) f Mon ey Carole laughed and said, "But how much did you have left?" I held out my palm with seven pennies and said, "'Here, the remnants of our fortune. Do you mind if I keep it? I have a friend who has a baby with a penny bank, and I promise you I won't so much as buy a morning paper. It will all go right in the bank." "'Permission granted," said Carole, "and what's more, thanks for the most fun I've had since I don't remember when." The Mary Smiths and the Betty Joneses can step out with their Joe Colleges and have fun on $10 or even less. So too can the Carole Lombards and Jean Harlows step out with their Joe Doakses and have fun on $10. Whether it's Hollywood or Ashtabula, $10 Is a Lot of Money! $10 Date Budget Cross-town bus $ .20 The Music Hall 1.98 Sixth Avenue Elevated 10 The Village Barn 3.95 Fifth Avenue Bus 20 Hansom Cab 1.95 Tavem-on-the-Green 1.55 Pennies for the Bank 07 Round-the-town $10.00 On-the-Set Reviews {Continued from page 30) E Y -T E B , I N C. their paths cross again and this time Lewis confesses his love for Ann, saying he has loved her all the time. Which just knocks Ann for a row of ginger-ale bottles. And here's where we come in. In her elegant Park Avenue apartment, Miss Harding paces the floor wearily. Marshall, still wearing his overcoat, watches her sympathetically. He says: "My attitude toward you, at the moment, is that of a doctor toward a patient. ..." "And . . . you have a diagnosis?" "Yes, I have. Your complete return to the normal depends upon how expediently we can separate a young man from his wife — and give you Mr. Kerry. . . ." "Gordon!" Ann gasps. "You are in love with him . . . ?" She shakes her head. "Don't lie! . . . you are!" Marshall declares. "Don't raise your voice to me!" Marshall loses control. "I'll shout it from the house tops!" "GO SHOUT IT THEN!!" Ann tops him. Maureen is plenty mad and threatens to slap Ann's name all over the front pages, but Herb . . . good old Herb! saves the situation by calmly announcing that he and Ann are to be married. So . . . giving Lewis back to Maureen, Miss Harding squashes her broken heart against the Marshall chest, and we go home hoping it'll all come out in the wash. You who have been LOVE ME holding your breath FOREVER while waiting for an • other Grace Moore COLUMBIA picture can sit back and relax now because here 'tis. And we know you are going to like it. Miss Moore plays an erstwhile heiress who has suddenly gone broke and doesn't know what to do about it. On a last fling, at Lake Placid, she meets Robert Allen who wants to marry her and is wealthy enough to help her carry on in the style to which she was accustomed. Not sure that she loves him, Grace returns to New York to auction off her furniture for enough money to pay her outstanding debts. And, coming to the auction to bid on some pieces he wants for his night club, Leo Carrillo hears Miss Moore pitching a few high C's in an adjoining room. He invites her to sing at his club. But the jazz-mad patrons boo her simple little folk song off the floor and that seems to be that, until Carrillo gets another idea. Corralling every dime he owns, the fellow builds a lavish club that appeals to the elite who buy season tickets to the Metropolitan Opera House. There, Miss Moore sings to an appreciative audience, but, even with the place packed to the gunwales, the expense of keeping up such an elaborate club is so great that# poor Leo finds himself in the red, and getting redder all the time. Meantime, Grace has met up with another singer, Michael Bartlett, and, while their mutual interest draws them together, we can't help hoping that she will eventually come to appreciate Carrillo, who, by this time, has broken himself completely to finance Miss Moore's debut in grand opera. Jo Swerling and Sidney Buchman have outdone themselves on the story, but the studio isn't telling how the thing will end. Which is all right by us. We love our denouements, we do. In their respective dressing-rooms, Bartlett and Miss Moore were vocalizing with all their might. And, with "Pagliacci" coming in one ear, and "Carmen" coming in the other, we were just a little sorry we'd left our earmuffs back in Michigan. But Director Schertzinger stood there with eyes closed and such a beatific expression on his sensitive face that he might have been listening to an angel chorus ! Gene Raymond HOORAY and Ann Sothern, FOR LOVE erstwhile sweetie # pies, aren't speak kko m& any more be cause of a rumor that Gene had sent a dozen orchids to the object of his affections. It was just a rumor and nothing more, but, not wanting the American public to think him such a spendthrift. Gene ups and denies the allegation. A bit testily, Miss Sothern declared she didn't see any reason in bothering to deny the tale, but . . . Gene still did, so-oo-o . . . it's synthetic romance on the set where they can't get out of it. But glares, and how, between shots! With Director Walter Lang and the rest of the crew getting a chuckle out of the squabble. But, on with the play. Lawrence 58 The Neiv Movie Magazine, July, 1985