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On-the-Set Reviews
{Continued from page 61)
some real talent for the "Choosey Cheese" program she is sponsoring on the air. Joan Blondell, who has met up with Dick when he came up to the radio station where she works, goes along.
With Menjou leaving for Europe. Dick figures "what the heck!" and stows away on the same boat with his vocal teacher, unknown to anybody.
In Venice, Menjou, who could find nothing to do but peddle vegetables, gets Dick a job on a gondola. And there is where Fazenda hears him singing, thinks it is too, TOO romantic and totes him back to New York to star on her cheese program!
Bill Gargan, in love with Joan, threatens to expose Dick for a fourflusher unless he gives up either his career or Joan. And, right in the middle of a program, when Dick sees Gargan leering at him, he stops the program and tells the whole, wide world that he is not a romantic Italian at all, but just a plain ordinary New York cab driver! And what are you going to do about it?
So the good old American radio audience comes through with such a demand for the Broadway gondolier that there's nothing for meanie Gargan to do but bow himself off and mend his evil ways!
NO MORE LADIES
• M-G-M
In a very swanky dancing salon, Joan Crawford and Bob Montgomery are gliding languorously around the floor, looking very much "that way" at each other.
Bob says: "Sometimes . . . when I'm dancing with you, I am tempted to forget the philosophy I've acquired during a long and useful life."
"Philosophy?" Joan wonders. "Do you have a philosophy, darling? I thought it was . . . well, just your natural cussedness that makes you the way you are."
"Does capacity — a large capacity for living — indicate 'cussedness'?"
"I don't know, Sherry," Joan says seriously. "I . . . hope not."
"We do have great times together." with that Montgomery murmur.
And so they are married, and Bob promises to be a good boy (as nearly as possible) and declares that if he should fall from grace, he'll come to the little woman and confess before the town gossips can do the job for him.
Of course, he does fall, but thinking to "larn" him a lesson, Joan stays out all night with Franchot Tone (in a nice way, and we can prove it!) and is Bob mad!
But, instead of hopping off to Reno, he takes the missus in his arms, forgives all and, while he still doesn't know what she did on her night out, determines to turn over a new leaf and make it work this time.
A. E. Thomas wrote the play. The cast includes Crawford, Montgomery, Tone, Reginald Denny, and for comedy relief, Edna May Oliver and Charlie Ruggles!
Aroused by an unprecedented wave of org a n i z e d crime, America declares relentless war against gangsters and public enemies.
Richard Arlen, an attorney, dis
EET "EM HAVE IT
KELIANCE (UNITED ARTIST RELEASE)
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gusted with the ease with which lawbreakers beat cases in court, joins the drive, and with him, Harvey Stephens, wealthy sportsman, who has given up a big game hunt to pursue more dangerous human quarry; and Gordon Jones, a dead-shot cowboy who is infuriated by the ruthlessness of modern bad men.
Nipping a daring plot to kidnap Virginia Bruce, the "Three Musketeers" see to it that the gangsters get life sentences, while, much against their better judgment, they allow Virginia to talk the law out of holding her chauffeur, Bruce Cabot, who is in line for a three-yard stretch for carrying a gun.
With Cabot loose, everything happens. He engineers a jail break and a reign of terror sweeps the Middle West, featuring bank hold-ups, the slaughter of innocent bystanders and other gangster atrocities that shock the country.
Among other things, Virginia's brother, Eric Linden, (and we haven't seen that boy for too long) is murdered because the gang thinks he knows too much.
With his face done over by a plastic surgeon, Cabot becomes bolder. And he might have gotten away with it, too, if his girl, convinced that he had been unfaithful to her, hadn't revealed his hideout.
The finish is spectacular, and we've just got to move over and make room for a romantic clinch between Arlen and Miss Bruce. Director Sam Wood says so! The story was written by Joseph Moncure March and Elmer Harris.
To get the PUBLIC HERO low-down on a
NO. 1 desperate Pub
« 1 i c E n e m y ,
M-G-M Chester Morris,
a justice operator, allows himself to be put in the same cell with Joe Calleia, the better to get in his confidence.
Calleia is planning a daring jail break and, in order to keep the guy fooled, Chet has to fall in with his plans, which puts the well meaning fellow in a bad spot, believe us.
Wounded in the break, Calleia hides in an abandoned shack and sends Chet for a doctor. And in his mad dash Chet crowds a bus off the road, salvaging a beautiful young passenger, Jean Arthur, who persuades him to take her along.
Falling in love with the girl (just like that!) Chet is amazed to discover that she is the gangster's sister who is trying to find her brother in order to inform him that he has inherited some money.
Discovering that Chet is after her brother, Jean naturally turns against him. But when our hero is seriously wounded in a gun battle in which Calleia is killed, Jean takes him to her heart and tells him that she knew "crime didn't pay" all the time!
The day we watched them, Morris was supposed to pick up Lionel Barrymore (who plays a doctor) and throw him over his shoulder. And, in spite of the fact that he outweighs Barrymore, he was surprised to find that the trick just couldn't be done!
Seeing his chagrin, Lionel chuckled. "Don't feel badly about it," he said. "Zbyszko couldn't do it, either!"
And seeing as how Zbyszko is a onetime wrestling champ of the world and he and Barrymore used to work out together, Chet felt a whole lot better about it.
And that just about takes care of the Hollywood working class for this month!
G4
The Neio Movie Magazine, July, 1935