The New Movie Magazine (Jan-Sep 1935)

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The photos above run from left to right — Richard Cromwell, Franchot Tone and Gary Cooper in "The Lives of a Bengal Lancer," Steffi Duna in "Girl of the Islands," Clark Gable and Jack Oakie in "Call of the Wild," Richard Dix and Martha Sleeper in "West of the Pecos," Warner Baxter in "Under the Pampas Moon," and Wallace Ford and Victor McLaglen with Brandon Hurst in "The Lost Patrol." The one below shows Pat O'Brien in "Oil for the Lamps of China." All of these photographs, and the pictures from which they are taken, were made in California. They show you India, the South Seas, Alaska, Texas, Argentina, Arabia and China. Nor is that all they could show you. The list might be prolonged endlessly, as the map at the right demonstrates. The State of California is in a bizarre spot, geographically. A thousand miles in length, its southern boundary is semi-tropical and its northern counties lie far into the north temperate zone. Its western edge is seacoast all the way, its south central section is desert, and to the east rise the folds of high mountain chains. Lake Tahoe, to the north, can be frozen while in Death Valley the thermometer climbs to a hundred and twenty and more. The Imperial Valley can be begging for rain while San Francisco lies cloaked in chill fog. Geographically, at any rate, California is a little universe in itself. When a Californian tells you they're having unusual weather he's telling the truth. It's always unusual weather. California offers a million landscapes, a million-and-one locations. Seeing "Oil for the Lamps of China," who would have dreamed that great desert in the middle of Asia lay just outside a California town named Lone Pine? Or that Bing Crosby's rolling Mississippi was the Sacramento River? tuhai^ia^d f wm yout I ScctM^iMXJurioL' fl&d Sea KvviihaA -Uottaud Decorative Map by Norman Mencher The New Movie Magazine, September, 1935 19