The New Movie Magazine (Dec 1929-May 1930)

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woman and by Gary Cooper as the soldier she adopts. Paramount. Son of the Gods. Notable for another fine Richard Barthelmess performance. The yarn of a young Oriental who collides with racial prejudices. Superb performance by Constance Bennett as the girl he loves. First National. This Thing Called Love. A racy and daring study of marriage and divorce with Constance Bennett and Edmund Lowe giving brilliant performances. Pathe. The Marriage Playground. Another study in divorce, based on Edith Wharton's "The Children." Sympathetic story and beautiful acting by Mary Brian. Paramount. Half Way to Heaven. Buddy Rogers as a kid aerialist in love with a pretty trapeze performer, Jean Arthur. Buddy was never better. Pleasant entertainment. Paramount. Sally. Delightful eye and ear entertainment, with Marilyn Miller won over to the talkies. Miss Miller is altogether delightful. Warner Brothers. The Vagabond Lover. Rudy Vallee, the idol of the radio, makes his screen debut as a young bandmaster trying to get along. He does well, but Marie Dressier runs away with the picture. You will find this entertaining. Radio Pictures. John Barrymore's latest picture, "General Crack," has moments of fine acting and unusual charm. Here is a persuasive romantic scene between Barrymore and Armita, the little Spanish actress. The Kiss. Greta Garbo's last silent film. All about a young wife on trial for murdering her husband. The jury does just what it would do if you were on it. Well acted, particularly by Miss Garbo. MetroGoldwyn. The Thirteenth Chair. Margaret Wycherly in Bayard Veiller's popular stage thriller. Well done, indeed. .V' tro-Goldwyn. The big moment of "The Rogue Song," when the roistering Cossack brigand, played by Lawrence Tibbett, invades the boudoir of the Russian princess, acted by Catherine Dale Owen. Mr. Tibbett does some robust singing in this screen operetta based in Franz Lehar's "Gypsy Love."