The New Movie Magazine (Dec 1929-May 1930)

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Lii Edgar "Pardner" Jones: Shot his way into the motion pictures with his .44 Winchester. He's the best marksman on the screen. George Herbert Van Dyke: He looks like the King of England and had his place on the screen. Specializes in playing diplomats. Count Cutelli: Can imitate anything from the cry of a baby to the call of a giraffe. The answer to a talkie director's prayer. August Tollaire: With his swell white whiskers and his French accent, he is in great demand. Emotional French mayors are his specialty. THEY DO THEIR BIT Specialists in Their Work, These Players Have Found a Place for Themselves in the Talkies By DOUGLAS DREW THINGS were at a standstill on the big sound stage. There stood Gloria Swanson, the director, the leading man, the prop man, the chief electrician, the script clerk, the cameraman and least, but not last, the business manager, while the overhead galloped on at an appalling rate. And there in its bassinet lay the baby, one of the principal players in "The Trespasser," absolutely refusing to cry. Instead, he gurgled joyously and cooed merrily. It was clearly a case for a specialist. So they called one. In this instance it was Count Cutelli, the sound man of sound pictures, who was summoned post haste. The count arrived, limbered up his vocal cords and quickly provided the most realistic imitation of an infant in distress you've heard outside of the neighbors' house — or your own. Count Cutelli is one of a thousand specialists in Hollywood. Some perform before the camera and others behind the camera lines. But each one is an expert in his or her line of work. None is more interesting than this man. When you hear a goat bleating on the (Continued on page ] ' : J. Gordon Carveth (below) is a specialist in providing thrills for the film jaded. At the right, he is shown paddling a canoe in front of a speeding motor boat. His boat was cut in two. H|