The New Movie Magazine (Jan-Jun 1933)

All of the latest news and reviews direct to you from Hollywood Randolph Scott, Charles Grapewin, Kate Smith and Sally Blane in "Hello, Everybody." Loretta Young and Douglas Fairbanks, Jr., in "The Sucker," an exciting story, which bids fair to be one of Doug. Jr's. most successful. Here we see Zita Johann and George Brent in a scene from Paramount's "Luxury Liner." Unreasoning, Montgomery comes to hate his Commander, played by Walter Huston, and the tiny confines of the pig-boat turn to a hell of hate and jealousy. Finally, during a skirmish in which the sub is almost sent to the bottom, Montgomery comes to his senses, realizes that there can be a time when duty is more than love of self or even Love . . . and so he stays behind to face certain death, after forcing his commander through the air-lock, in order to make a desperate attempt to trap the enemy fleet. In spite of the dramatic story there are many laughs, chiefly contributed by Jimmy (Schnozzle) Durante and Eugene Pallette. The submarine scenes are entirely authentic and were taken at the submarine base of the United States Navy in Honolulu. A fine picture for the whole family. THE GREAT JASPER — (Radio Pictures) — Fulton Oursler created one of the most rampant characters of recent fiction in his Jasper Horn, the role played by Richard Dix in his latest picture. Jasper is a pagan, a two-fisted Sybarite, who takes his fun and his women where he finds them, and spends most of his life looking. Any woman who has known Jasper never forgets him; even his wife, the one DON'T MISS: THE GREAT JASPER— because it contains the meatiest, gaudiest characterization of the year. It's a modern Droll Story. SHE DONE HIM WRONG— because Mae West fills a long-felt movie need and is better than swell. HELLO, EVERYBODY— because the Kate Smith fans are legion and they will like their favorite. PRIVATE JONES— because Lee Tracy is in it . . . and they have given him some wonderful lines. HOT PEPPER— because Lowe and McLaglen can be funny when they have a good story and Lupe Velez to help them. THE BLUE MOON MURDER CASE — because it is the best mystery story of the month and will keep you guessing. PERFECT UNDERSTANDING— because Gloria Swanson is seen too seldom for you to miss her. THE SUCKER — because a brililant cast makes dandy entertainment out of an exciting story. woman he cannot charm, cannot wholly forget him. Richard Dix has never played a role of this type before, in fact, nothing quite like it has even been attempted. But the result is certainly quite worth while. We see Dix from a two-fisted youngster on a street-car line, in the midst of a violent love-affair with the owner's wife, to a lusty manhood in which never a day passes without at least a glimpse of the excitement on which Jasper thrives. Naturally, there are several ladies in the cast, including Florence Eldridge, Wera Engles, Dorothy Wilson and Edna Mae Oliver. Miss Oliver, however, does not contribute to one of Jasper's more romantic moments. We think you'll like this one. SHE DONE HIM WRONG— (Paramount)— Mae West, who, we are willing to bet, is known in every town and hamlet in these moreor-less United States, turned author as well as star on this story and there is certainly no one better qualified to write on the subject. Directed by Lowell Sherman, who is one of the smarter directors, Mae West brings to the screen a gaudy story of beer-garden life in New York in a manner that only "Diamond Lil" would dare attempt. Mae West shocked even Broadway, the blase, with her torrid "Sex" some vears ago and since then has been looked upon as somewhat of an authority on the subject. In "She Done Him Wrong" Mae sets about the 60 The New Movie Magazine, March, 1933