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BAND RECORDS
NUMBER
31366
31381
5621
5723
31104
31390
31759
31439
4646
31367
5744
2789
5273
4198
SIZE}
Espana Waltz. (Waldteufel) Pryor’s Band 12
Fackeltanz. ( Torchlight Dance) (Meyerbeer) Pryor’s Band 12 The Fackeltanz, or dance with flambeaux, is a survival of medieval times, and is often a feature of court weddings in Germany. This number is the finest of the series and is a splendid composition. Particularly impressive is a magnificent solo for the basses, which is a fine piece of recording.
Fairest of the Fair March. (Sousa) Sousa’s Band 10
The latest composition by this famous writer of marches.
Faust — Waltz from Kermesse Scene. (Gounod) Pryor’s Band 10 This delightful waltz, which has been a model of its kind ever since the first performance of Faust, is played here with the absolute precision and daintiness which are indispensable to its proper performance. A remarkably smooth and beautiful record.
Faust Selection. (Gounod) Sousa’s Band 12
Festival Overture. (Leutner) Pryor’s Band 12
Festival Overture. (Tschaikowsky) Pryor’s Band 12
One of the Russian composer’s most magnificent overtures, full of splendid effects, with its martial fanfares, drum passages, and the impressive Danish Hymn which is used as a base for some effective ornamentation.
A majestic and inspiring composition, played with unusual brilliancy, and conducted in a masterly manner by Mr. Pryor.
Fledermaus Selection. (The Bat) (Strauss) Sousa’s Band 12
Strauss’ delightful operetta, with its entrancing melodies, its gaiety, and the delicate beauty of the score, has been a source of pleasure to operagoers ever since its production in 1874. This selection contains the best portions of the opera and makes a sprightly and interesting record.
Flora — Twilight Serenade (with bell solo) . (Mehden) Pryor’s Band 10 Flying Dutchman Fantasia. (Wagner) Pryor’s Band 12
The selection contains some of the finest music of this wonderful master¬ piece, in which Wagner has portrayed the story of the Dutchman con¬ demned to sail forever on the stormy sea unless redeemed by the love of a woman.
Two variations of the exquisite theme representing Redemption by Woman’s Love are given. We first hear the magnificent strain played by the orchestra in Act 111 when Senta plunges into the sea; then follows the original form first heard in Senta ’s ballad. Then appears the second of the two pnncipal themes, the Flying Dutchman motive ; a weird melody representing the restless wanderer. In strong contrast comes the rollicking chorus of Daland’s sailors and the fantastic dance which follows. The Fantasia is brought to an effective close with a portion of the great duet between Senta and the Dutchman.
Forest King March. (Peters) Pryor’s Band 10
Forge in the Forest. (Michaelis) Pryor’s Band 10
One of the most famous of descriptive numbers. The first strain, a weird melody, represents night in the forest. At the first glimmering of daybreak the lark and the cuckoo vie with each other in greeting to the dawn. The forest awakes to life, the smith appears and begins his work, keeping time on his anvil to the joyous strain.
Fourth Power March. (Presa) Police Band of Mexico 10
France-National Air. ( The Marseillaise) Sousa’s Band 10