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NUMBER
31757
31758
31744
31751
31748
2561
5059
5657
5715
5351
5710
5627
5697
5709
5716
4761
4634
5462
5197
POPULAR LIST
55
Gems from The Broken Idol Gems from The Golden Girl Gems of Havana (Stuart)
Gems of The Dollar Princess Gems of The Prince of To-night German’s Arrival
SIZE
Victor Light Opera Co. 12 Victor Light Opera Co. 12 Victor Light Opera Co. 12 Victor Light Opera Co. 12 Victor Light Opera Co. 12 Frank Wilson 10
Hans has just landed in America, and gets into trouble while going from the station to his Katarina’s house. Arriving there he serenades her.
Girl I Left Behind Me (Lover) McCool 10
Glow-Worm, The (Lincke) Elizabeth Wheeler 10
Paul Lincke’s beautiful idyll was one of the big successes of 1908. Good-Bye, Molly Brown (Jerome)
Maude Raymond A good song which gives this jolly comedienne an opportunity to exhibit some of her various dialects. Miss Raymond’s records have been very pop¬ ular, and the Victor Company has been warmly congratulated on the exclusive engagement of this comedy star.
Good Bye, Sweetheart, Good Bye (Von Tilzer) Turner
Not the familiar old song by Hatton, but a new ballad by Arthur Lamb and Albert Von Tilzer.
Good-Bye to Johnnie
Clarice Vance
Miss Vance here impersonates, in her own inimitable way, the flirt who finally decides to settle down, and bids farewell to Johnnie, Freddy, Harry and the rest of the “ boys.”
Good Evening, Caroline
Miss Stevenson-Mr. Stanley Good Luck, Mary (Piantadosi)
Good Night, Dear (Anderson)
Googy-oo ( From The Candy Shop)
An amusing take-off on the “ oozy language supposed to be used by lovers during their courtship. “Googy-oogy-oogy-oo, says the soprano, recalling her courtship days. “Goodness,” says the tenor, “did I ever really call you a name like that ? ” And they finally conclude that when you are in love you are liable to use any kind of language !
Good Old U. S. A. (Morse) Myers 10
Grand Old Flag — George Washington, Jr. (Cohan) Murray 10
Hannibal Hope and the Circus Parade (Hirsch) Collins 10
Mr. Collins has given us a song, or rather a specialty, which tells of a colored gentleman who rose to be a performer on the calliope.
Harrigan ( From Fifty Miles from Boston) (Cohan) Murray 10
A real Irish song with a rousing male chorus in the responses.
VANfCE
One of the greatest favorites of the vaudeville stage today is Clarice Vance. Unassuming, quiet, digni fied and clever; possessed of a droll t tl humor and a sly method of expression that are simply irresistible, she is in a class by herself with her clear-cut delivery of popular “ coon ” songs.
Miss Vance has made us seven records which are an absolute repro¬ duction of her voice and droll man¬ nerisms.
The Vance records appear on IQ pages 56, 97, 98, 99, 104.
Haydn Quartet 10
Elizabeth Wheeler 10
Miss Jones-Mr. Murray 10