RCA Victor (1910)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

VICTOR RED SEAL RECORDS 75 ANTONIO SCOTTI, Baritone One of the most valued and gifted artists of the Metropolitan Opera Company is Antonio Scotti, the wellknown baritone. He was born in Naples, and even as a child showed a desire to become a singer. At the age of 23, after he had studied for four years, he made his debut at the Teatro Reale, in Malta, as Amonasro in “Aida,” singing later at that house in nine other roles. He did not become prominent until his sub¬ sequent engagement at the Teatro Manzoni, in Milan, a small but aristocratic theatre. There he scored distinct successes in “I Puritani,” “La Favorita” and “Ernani.” This great baritone is repeating his previous successes and thrilling the audiences with his wonderful display of dramatic power. Scotti’s impressively tragic impersonation of Rigoletto and his powerful and convincing Tonio are two of the most striking features of the Metropolitan season, while as Falstaff he achieved an artistic triumph, revealing himself as a worthy successor to Maurel in the many moods required by this exacting part. Ten-inch — $2.00 each. In Italian 81042 Aida — Sortita Amonasro (Amonasro’s Narrative) Verdi 81022 Faust — Dio possente ( Even the Bravest Heart) Gounod 81063 La Mandolinata Paladilhe 81021 Pagliacci — Prologo ( Prologue ) Leoncavallo Ten-inch, with Orchestra — $2.00 each. 87040 Otello — Brindisi ( Drinking Song) Verdi 87034 Sonnambula — Vi ravviso (As l View These Scenes) Bellini Twelve-inch — $3.00 each. In Italian 85044 Ballo in Maschera — Eri tu (Is it Thou?) Verdi 85067 Don Carlos — Per me giunto (Death of Rodrigo) Verdi {(1) Rigoletto — Deh non parlare al misero (Recall Not the Past) Verdi (2) Don Giovanni — Fin ch’han dal vino (Wine, Flow a Fountain) Mozart Twelve-inch, with orchestra — $3.00 each. In Italian f (1) Don Giovanni — Serenata, “Deh vieni alia finestra’’ (Open 88194 j Thy Window, Love) Mozart ( (2) Falstaff— Quand’ero paggio. (When / Was Page) Verdi 88195 Falstaff — Monologo, “ L’Onore! Ladri’’! (Honor, Ye Ruffians!) Verdi 88203 Faust — Dio possente (The Bravest Heart Shall Swell) Gounod 88083 Maria Mari (Neapolitan Song) 88082 Otello — Brindisi, “ l naff a I’ugola’’ (Drinking Song) Verdi 88030 Otello — Credo (Cruel is He the God) Verdi 88029 Pagliacci — Prologo (Prologue) Leoncavallo 88032 Rigoletto — Monologo — Pari siamo (We are Equal) Verdi 88028 Sonnambula — Vi ravviso (As I View These Scenes) Bellini 88122 Tosca — Cantahile Scarpia (Venal, My Enemies Call Me) Puccini SCOTTI Note. — Signor Scotti sings exclusively for the Victor.