RCA Victor (1910)

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8 NUMBER 4113 1440 4744 4115 1193 4678 31425 4127 2599 31764 31680 31349 31697 31012 307 4565 4911 31388 BAND RECORDS (Gallini) Sousa’s Band Sousa’s Band La Rentree a Paris ( Entry into Paris ) (Sellinick) Garde Republicaine Band Largo (Handel) La Sorella March (La Mattchiche) The popular Spanish-Parisian success. Le Prophete Marche (Meyerbeer) Liberty Bell March (With Chimes) Lights Out March (McCoy) A glorious march based on certain bugle calls, including Taps, which is introduced with impressive effect. Lohengrin Selection (Wagner) Sousa’s Band Some beautiful passages from the most familiar and beloved of Wagner’s operas. The portions given are the introduction to Act 1, the entrance of Lohengrin and the prayer. Loin du Bal — Intermezzo (Gillet) Garde Republicaine Band Loin du Bal — Intermezzo ( Echoes of the Ball) Pryor’s Band Garde Republicaine Band (Sousa) Sousa’s Band Pryor’s Band Love’s Dream After the Ball (Czibulka) Pryor’s Band This charming intermezzo was intended by the Hungarian composer as a musical portrayal of the reverie of a young girl who dreams of her first dance. Faintly the waltz is heard, as in the distance, then grows more distinct, until the maiden seems to be in the midst of the music and brilliancy of the ballroom. The strain then dies away as the memory fades, and the young girl falls asleep. Czibulka’s lovely number is delightfully conducted by Mr. Pryor, and the band has played with grace and much beauty of tone. Love’s Departure Waltz Police Band of Mexico City Lustspiel Overture ( Comedy Overture ) (Keler-Bela) Pryor’s Band Madame Butterfly— Selection (Puccini) Pryor’s Band The interest of the public in this exquisite Puccini opera continues to grow with each performance, and the fine records the Victor has offered of the music have been much enjoyed and favorably commented upon. We now offer a really beautiful 1 2-inch fantasia, composed of the most effective portions of the opera. It is splendidly played, as usual, by this fine concert band. Magic Flute Overture (Mozart) Victor Band Man Behind the Gun March (Sousa) Sousa’s Band Manhattan Beach March (Sousa) Sousa’s Band Maple Leaf Rag (Joplin) U. S. Marine Band Marche Slave (Op. 3 1) (Tschaikowsky) Pryor’s Band This is one of the most effective pieces of national music ever heard in America. It is essentially Slavonic in character, and exhibits well the daring and skill of this talented Russian composer. A striking effect is produced by the use of the Russian Hymn, which is played fortissimo by the basses. The march was composed by Tschaikowsky for a concert in aid of wounded soldiers of the Servian-Turkish War of 1876. Marseillaise (See France) SIZE 10 10 10 10 10 10 12 10 10 12 12 12 12 12 10 10 10 12