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10
BAND RECORDS
NUMBER SIZE
31537 Morning, Noon and Night in Vienna — Overture Pryor’s Band 12
This splendid Von Suppe overture has long been a public favorite, and is indeed a fine composition, as full of light and shade as Vienna itself.
2557 Mr. Black Man ( March — Ca^e-wal) e) (Pryor) Pryor’s Band 10
31591 My Treasure Waltz (The Gypsy Baron) (Strauss) Sousa’s Band 12
This is the famous “Schatz-Walzer,” one of the most popular of all Strauss waltzes. It is played in quick time.
31511 Naila Intermezzo (Pas des Fleurs) (Delibes) Pryor’s Band 12
This lovely intermezzo is one of the most familiar of Delibes’ ballet numbers. It possesses all the characteristics which have made him famous as a ballet composer— grace and lightness, with a dainty charm peculiar to his writings.
354 Narcissus ( Intermezzo ) (Nevin) Sousa’s Band 10
5576 National Emblem March (Bagley) Pryor’s Band 10
4158 Nearer My God to Thee (Paraphrase) (Langey) Pryor’s Band 10
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5126 New Colonial March (Hall) Pryor’s Band 10
31174 Niebelungen March (Wagner) Victor Band 12
31742 Norma Overture (Bellini) Pryor’s Band 12
Norma, although an opera of the old school and seldom performed nowadays, contains some of the loveliest of the writings of Bellini. Especially charming is the spirited overture, always a favorite on band pro¬ grams. Mr. Pryor has given a vigorous rendering of this fine number.
31689 Oberon Overture (Weber) Pryor’s Band 12
Weber’s great overtures show his genius better, perhaps, than any of his
writings. Pre-eminent among them is the immortal Oberon, with its wonderful instrumental coloring, breathing the very atmosphere of Elf-land.
The chief elements of the story of the Elfin King are outlined in the overture. After an introduction, the horn of Oberon is heard, with the tip-toeing of the fairies represented by the clarinets. Throughout the whole work are interwoven the exquisite melodies of Fairyland, and at the close is heard a portion of Rezias’ air: “Ocean, Thou Mighty Monster.”