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SACRED NUMBERS
Note. — The full names and voices of the singers in this Sacred List are as follows :
BURR. HENRY, Tenor DUFOUR. MABEL, Soprano ELY, ALFRED, Tenor FRANCISCO, CARLOS, Baritone FREEMANTEL, FREDERIC C.. Tenor HANDEL MIXED QUARTET HAYDN QUARTET, Male Voices HAYWARD, FLORENCE, Soprano HEMUS, PERCY, Baritone JARVIS, HAROLD. Tenor JOSE, RICHARD, Counter-Tenor
LYRIC QUARTET, Mixed Voices MACDONOUGH, HARRY. Tenor MARSH, LUCY, Soprano MORGAN, CORINNE, Contralto SCHUBERT TRIO, Soprano, Tenor, Bass STANLEY, FRANK C„ Bass STEVENSON, ELISE, Soprano TRINITY CHOIR, Mixed Voices VICTOR CHORUS WHEELER, ELIZABETH, Soprano
NUMBER
2633
4917
5329
31364
4251
31614
4748
5726
4556
31472
5760
31587
SIZE
Abide With Me Richard Jose 10
Almost Persuaded (Bliss) Stanley-Macdonough 10
Of the hundreds of hymns which have been used in gospel meetings and revival services, none perhaps has had so powerful an influence as this familiar number by P. P. Bliss.
Angels Ever Bright and ¥ air— Theodora (Handel) Lucy Marsh 10 Angel’s Serenade (Braga) Florence Hayward 12
Ave Maria (Bach-Gounod) Wheeler 10
Awake, Glad Soul, Awake ( Easter Anthem ) Trinity Choir 12
Blessed Assurance (Crosby) Trinity Choir 10
Child of a King, The (Sumner) Elizabeth Wheeler 10
A well-known gospel hymn which this new Victor singer delivers with much expression and a most distinct enunciation of the beautiful text.
Crossing the Bar (Cowles) Stanley 10
“ Nothing that Tennyson has ever written,” says Dr. Van Dyke, “is more beautiful in body and soul than ‘Crossing the Bar.’ It is
perfect poetry . it is a delight
and a consolation, a song for mortal ears, and a prelude to the larger music of immortality.”
Elijah — O Rest in the Lord (Mendels¬ sohn) Corinne Morgan 12
Face to Face Percy Hemus 10
STANLEY
Face to Face (Johnson) Stanley 12
The sacred songs of the late Herbert Johnson are familiar to nearly all singers, and never fail to make a deep impression upon all who hear them. Foremost among these songs is the “Face to Face," which has achieved a
fjhenomenal success. It is by far the best known composition of the popuar Boston tenor and composer.