We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
10
BAND RECORDS
NUMBER By Arthur Pryor’s Band
5370
5179
31537
2557 31511
5576 4158 5126
31689
2718 5206 31164 9125 5511
4165 31352 31242
31735
Miss Dixie Hager A lively descriptive march which will prove a stimulator to sluggish circulations. Little bits of Southern melodies are well fitted by Mr. Hager; a bell solois introduced, and the number is played with that snap and brilliancy which are always features of amarch record when Mr. Pryor conducts. Monastery Bells With Chimes Wely A charming old nocturne which has for many years been a household favorite. Recorded with chime effects.
Morning, Noon and Night in Vienna Overture
This splendid Von Suppe overture has long been a public favorite, and is indeed a fine composition, as full of light and shade as Vienna itself.
Mr. Black Man = March—Cake-walk Pryor
Naila Intermezzo Pas des Fleurs Delibes
This lovely intermezzo is one of the most familiar of Delibes’ ballet numbers. It possesses all the characteristics which have made him famous as a ballet composer — grace and lightness, with a dainty charm peculiar to his writings. National Emblem March Bagley Nearer My God to Thee Paraphrase Langey
New Colonial March
A brilliant new number by R. B. Hall, composer of many fine marches.
Oberon Overture Weber
Weber’s great overtures show his genius better, perhaps, than any of his writings. Pre-eminent among them is, of course, the immortal Oberon, with its wonderful instrumental coloring, breathing the very atmosphere of Elf-land.
The chief elements of the story of the Elfin King are outlined in the overture. After an introduction, the horn of Oberon is heard, with the tip-toeing of the fairies represented by the clarinets. Throughout the whole work are interwoven the exquisite melodies of fairyland, and at the close is heard a portion of Rezias’ air; “Ocean, Thou Mighty Monster.”’
Officer of the Day March Hall On the Belvidere Two-step(Na Belvederu Pochod)F aster Old Church Organ Serenade Chambers Ole Virginny Days March Rollinson Our Director March Bigelow A splendid march—original and inspiring. Over the Waves Waltz Sobre las Olas Rosas This waltz never seems to lose favor—dainty and delightful. Pagliacci Prologue Leoncavallo The finest record ever made of this great number. Parsifal Fantasia Wagner
Pryor’s band has distinguished itself by its splendid playing of this music, which is of extreme difficulty.
Parsifal— Processional of Knights of the Holy Grail Wagner
A magnificent record of this famous march, perhaps the most interesting single number in Wagner’s opera. The playing of the band here is superb, the great climaxes being given with splendid precision and noble tone.
SIZE
10
10
12
10 12
10 10 10
12
12