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of acting as opposed to the representation of this content. Accordingly acting can be either flat and representative or truly imagist — that depends on the method the actor uses. Successfully filmed, acting can be truly "montage" by its nature, even when shot from one angle.
The second of the above-mentioned two examples of montage (October) is not a usual one while the first (Maupassant) illustrates only a case when one object is shot from different distances and angles.
Here is one more example, this time typical of the cinema and dealing not with an individual object but with the image of an event built up in a similar way.
This example is a wonderful "shooting-script" where an image emerges before our very eyes out of a chaos of individual details and representations. The example is remarkable because it is not a finished work of literature but the notes of a great master in which he wanted to fix for himself the visions he had of the Deluge.
The example in question is Leonardo da Vinci's notes on how the Deluge should be painted. I have chosen the following passage because it gives an extremely vivid visual and auditory picture of the Deluge, a remarkable thing coming from a painter, and yet all the more graphic and impressive.
"Let the dark, gloomy air be seen beaten by the rush of opposing winds wreathed in perpetual rain mingled with hail, and bearing hither and thither a multitude of torn branches of trees mixed together with an infinite number of leaves.
"All around let there be seen ancient trees uprooted and torn in pieces by the fury of the winds.
"You should show how fragments of mountains, which have been already stripped bare by the rushing torrents, fall headlong into these very torrents and choke up the valleys, until the pent-up rivers rise in flood and cover the wide plains and their inhabitants.
"Again there might be seen huddled together on the tops of many of the mountains many different sorts of animals, terrified and subdued at last to a state of tameness, in company with men and women who had fled there with their children.
"And the fields which were covered with water had their waves covered over in great part with tables, bedsteads, boats and various other kinds of rafts, improvised through necessity and fear of death, upon which were men and women with their children, massed to
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