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On the History of Film Style (2018)

Page scan 000350 from On the History of Film Style

Record Details:

Title:
On the History of Film Style
Date:
2018
Volume:
On the History of Film Style (2018)
Leaf #:
000350
Language:
English
Contributor:
Kristin Thompson
Coordinator:
Media History Digital Library
Date Added:
August 28, 2025
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340 Oppositional Version of stylistic history, 83-84, 92-115 Optical pyramid, 163, 181-184, 210, 217, 245 Opus III (1924), 19 Os furzis (1964), 230 Othello (1952), 230-231 Ouedraogo, Idrissa, 204 Our Hospitality (1923), 200 Our Town (1940), 223 Ozu, Yasujiro, 107, 109, 111, 113, 156, 205, 207 Pagnol, Marcel, 48, 55, 298 Painted Lady, The (1912), 15, 132 Panavision, 238, 256, 260 Pan-focus, 56—59, 224-225, 237 Panofsky, Erwin, 25, 27, 31, 43, 141, 150 Paradzhanov, Serge, 263, 264, 266 Parents terribles, Les (1954), 72 Partie de compagne, Une (1936), 48 Party Card, The (Partiinyi bilet, 1938), 211 Passenger, The (1975), 247 Passion de Jeanne d’Arc, La (1928), 34, 35, 39, 101, 208, 209, 230 Passion Play of Oberammergau, The (1898), 14 Passion plays, 13, 14, 99, 124, 127 Pathé company, 122, 177 Persona (1965), 83, 229, 230 Perspective in the film image, 71, 93, 94, 96, 159, 160, 161-163, 174, 181-182, 184, 328n117 Petit Poucet, Le (1909), 177, 178, 197 Pirosmant (1971), 3, 263 Plan américain, 55, 184 Planimetric image, 2, 168-169, 173, 204, 239, 251, 263, 267. See also Mug-shot staging Play Time (1967), 105, 113 PMR. See Primitive Mode of Representation Politique des auteurs, 76, 79, 81 Pordenone festival of silent cinema, 119, 135, 140, 310 Porter, Edwin S., 13, 25, 29, 33, 42, 43, 99, 112, 116, 121, 127, 129-130, 139, 155, 169, 172 Postmodernism, 5, 6, 146-148, 154, 270 Preminger, Otto, 76, 77, 79, 82, 233, 235, 242 President, The (Praesidenten, 1919), 1, 26, 50, 52, 97 Primitive cinema, 61, 62, 74, 95, 99, 100, 102—106, 111, 112, 114, 117, 124-128, 133, 135, 141, 158, 159, 160, 164-167, 197, 304-305 Primitive Mode of Representation (PMR), 104—106, 111-114, 128, 137, 164, 166-168, 197, 304-305 Problem/solution model of stylistic history, 149, 150, 155-156, 268-270 Profondeur de champ, 56-59, 62, 63, 65, 67, 113, INDEX 158, 159-160, 166, 201, 209, 224, 241, 260. See also Depth staging Prospero’s Books (1991), 263 Protazanov, Jakov, 185 Qué viva Mexico! (1930-1932), 218, 219 Quo Vadis? (1913), 181 Rack focus, 212, 214, 218, 240, 242, 248-253, 258-259 Ray, Nicholas, 69, 75, 76, 241, 244 Ray, Satayajit, 253 Realism, 43-45, 49, 51, 53, 59, 61, 63-65, 67, 68, 71-75, 77, 80, 83, 84, 88-90, 94-95, 108, 113, 159-162, 195, 198, 298 Rebel without a Cause (1954), 242, 244 Recessional staging, 169-170, 174, 178, 218, 265-267 Red and White Roses (1913), 1, 185, 186—187, 195, 197, 268 Red Desert (1964), 248 Reflections on Black (1955), 232 Régle du jeu, La (1939), 65, 68, 70, 74, 91, 214, 232, 235 Renoir, Jean, 4, 48, 49, 56, 62, 65, 67-70, 71, 74, 75, 77, 79, 83, 107, 112, 117, 158, 160, 213-214, 217, 232, 235, 239, 302n77 Resnais, Alain, 60, 81-84, 88, 89, 93, 101 Riegl, Alois, 141 Rio Escondido (1947), 232 Rise to Power of Louis XIV, The (La prise de pouvoir par Louis XIV, 1966), 250 River of No Return (1954), 242 Rivette, Jacques, 76-79, 91, 237, 239, 241 Rohmer, Eric, 75—78, 83, 298-299 Roman d’un tricheur, Le (1936), 48 Ropars-Wuilleumier, Marie-Claire, 89, 90, 117, 121 Rossellini, Roberto, 48, 77, 249, 250 Rotha, Paul, 21, 22, 118 Roue, La (1923), 39, 74 Rouquier, Georges, 60 Rudolph, Alan, 250 Ruttmann, Walter, 18, 23 Sadoul, Georges, 6, 41~42, 46, 47, 49, 51, 59, 62, 75, 93, 99, 105, 113, 118, 290, 291, 295n69 312n12 Salt, Barry, 119, 139, 144 Sartre, Jean-Paul, 51, 57, 298 Scarlet Pimpernel, The (1935), 212 Schemas, stylistic, 152-157, 158, 267-269; of staging, 165~267 Scorsese, Martin, 7, 257 Scott, Tony, 256 Seldes, Gilbert, 37-38, 291 Sennett, Mack, 21