Once a clown, always a clown : reminiscences of De Wolf Hopper (1927)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

ONCE A CLOWN, ALWAYS A CLOWN of the comic. Does she glory in that distinction ? She does not. She is very seriously determined, on the contrary, to make herself a dramatic actress and has enlisted, I understand, no less a person than David Belasco in the enterprise. And I know it to be true by something more than common report and the case of Miss Brice, for I have nurtured such an ambition, and of all the roles I have played in the theater, my favorite is that of Jack Point in Gilbert and Sullivan's "Yeomen of the Guard", — a strolling jester who dies of a broken heart. I revel in that little touch of pathos. * Had I seen myself as Hamlet or Brutus in my freshman days I might not have this secret sorrow now, but I saw myself only as an actor; what genre of actor mattered little then. I had the first two physical essentials of the classics, stature and voice ; not singing voice, but speaking voice, that deep-chested volume and resonance of speech demanded by the heroic roles of blank verse. My stature is not so uncommon, but such chest tones are, and suggest the classics at once. Something more than six feet, a bass rumble and proper enunciation are essential to tragedy, of course, but I know of no reason why I could not have acquired the other [46]