We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
II
Vol. 7.— No. 1. Jan. 4, 1933.
II
i
1
tCMpruft If S ( M n i? ij a J» liki-i ■aaSSSr^ittO' ii i m rtHiiaiMfitn Pf'ffiE'ftiii’ni B* si»»
nnun
Paramount’s courage in aiming high in the making of BIG pictures is bearing fruit. The new Paramount Product opens wide our vision of better times ahead.
Managing Director.
evei’v WfdPjiriunotinl rvice Ltd.,
ice, Sydney, in the )f the
i'anisatioii in New Zeathe Fai Past.
Most significant of better times ahead is the line-up of Paramount Pictures already completed or in production for 1933 release. Every person in the organisation is urged to know everything about our Product. Ernst Lubitsch’s “TROUBLE IN PARADISE”, featuring Miriam Hopkins, Kay Francis, Herbert Marshall and Charles Ruggles, is a certain winner at the Box Office; “A FAREWELL TO ARMS” is another surprise long-run attraction; “THE BIG BROADCAST” is now getting wide publicity over the air through the leading B-class Radio Stations; “HOT SATURDAY” and “EVENINGS FOR SALE” are also exceptional.
FOR 1933
Courage loves a lofty path.
And with courage that counts, we in Paramount are achieving our lofty aim in making and selling greater pictures than ever before. The new order of things in motion picture production have made it possible for our Company to capitalise on the progressive improvements in this business, such as wide-range recording, noiseless recording, the Dunning process of photography and the filming of unheard of spectacles so evident in “The Sign of the Cross”.