Pauline Frederick : on and off the stage (1940)

Page scan 00050 from Pauline Frederick : on and off the stage

Record Details:

Title:
Pauline Frederick : on and off the stage
Date:
1940
Publisher:
Chicago : A. Kroch
Volume:
Pauline Frederick : on and off the stage
Leaf #:
00050
Language:
English
Subjects:
Motion Pictures, Motion pictures--Biography
Collection:
Books
Format:
Books
Contributor:
Niles Essanay Silent Film Museum
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
June 20, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

32 Pauline Frederick to her success on the stage. In this order from her doctor, that she was not to sing any more, one seems to smell a rat! There had been much talk of her studying for opera and particularly since she had made the acquaintance of Lilli Lehmann, just before the beginning of " It Happened in Nordland." With her mother anxious for her to become a Prima Donna, there had been much discussion about her going to Europe to study under Madame Lehmann. But Pauline did not want a singing career — she wanted to be an actress and particularly a dramatic one. She felt that while her voice had certain fine qualities, it was not powerful enough to gain her any unusual place among operatic singers. She was ambitious and could not be content with anything but the top of the ladder. With her dramatic ability, she hoped to attain this — with her voice she knew she would not. Yet it seemed a pity after her sensational success in " It Happened in Nordland " to give it up then.