Photoplay (Jan - Jun 1924)

140 Photoplay Magazine — Advertising Section I Free— To Try Send for Trial Bottle Dorit BeGtay When I can stop it To let gray hair spoil your looks, by making you seem old, is so unnecessary when Mary T. Goldman's Hair Color Restorer will bring back the original color surely and safely. Very easily applied — you simply comb it through the hair. No greasy sediment to make your hair sticky or stringy, nothing to wash or rub off — just beautiful, natural, becoming hair. My Restorer Is a clear, colorless liquid, clean as water. No danger of streaking or discoloration, restored color is even and natural in all lights. Faded or discolored hair restored just as successfully and naturally as gray hair. Mail Coupon Today Send today for the absolutely Free Trial package which contains a trial bottle of Mary T. Goldman's Hair Color Restorer and full instruction* for making the convincing test on one lock of hair. Indicate color of hair with X. Print name and address plainly. 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Jersey's annual fete, "the Carnival of Flowers," was in progress. Chaplin and Reeves among the spectators were vastly amused at a fussy and ostentatious official of the carnival who persisted in centering himself in every scene covered by the motion picture cameras recording the fete for the news reels of '12. The Keystone camera revived that memory and made it a part of Chaplin's screen debut. The little man with the baggy pants was on his way, due in time to become a vital factor in the tangled course of screen finance as well as the world's greatest motion picture actor. [ TO BE CONTINUED ] A Man of Pittsburg [ CONTINUED FROM PAGE 74 ] Parisian bachelor and sheik, from whose character the Menjou role might well have been taken. Anyway, I had a terrible time switching Mr. Menjou off the subject of Charlie Chaplin as the greatest director in the world. It's an erroneous impression that he is a foreigner. He was born in Pittsburgh. Nobody could be more American than that. His father was a Frenchman and his mother was Irish. Which is a very intriguing combination, if you ask me. His father was one of the most famous hotel and restaurant men in this country for many years. Young Adolph went to Cornell, but was obliged to leave in the middle of his course, because the family fortunes failed. He had a tough time breaking into pictures and one summer he worked as a farm hand on Vincent Astor's estate. He saved the last check for twelve dollars and fifty cents signed by the young millionaire. So if Vincent Astor's bank account is twelve dollars over, he knows now where it is. He played extras around the New York studios, and finally small bits. He had worked in a number of pictures at Paramount, when war was declared. He was the first man to enlist from the Famous Players-Lasky studio. Twenty-four hours after President Wilson declared war, he was a private in the A. E. F. He came out a captain. His war stories are among the most amusing I've ever heard. On his return from France, he met a young newspaper woman in New York and showed his excellent sense and judgment by marrying her. And he had about decided to give up pictures as a hopeless job, when they decided to come to California and give it one more trial. Nobody wanted him. He played small parts, character parts, in "Bella Donna" and other productions. But they couldn't see him. Then Chaplin discovered him, and now he works in four pictures at once and is to be starred by Lasky in a series of screen roles similar to the delightful ones Leo Ditrichstein does on the stage — "The King" and "The Concert," possibly. The Menjou home in Beverly Hills, right across the street from Rex Ingram and Alice Terr}', is a delightful one, and domestic. Just the same, on the screen he's dangerous. And I think a lot of people will welcome the polish and subtlety of his work with tremendous relief. We have been a bit surfeited with the obvious among male vampires of late. The Anna Q. 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