Photoplay (Jan - Jun 1925)

88 Photoplay MAGAZINE — ADVERTISING SECTION re you trying to acquire some ^ ones else type of beauty? rr simply cannot be done! The skin needs not cosmeticsandcomplicatedpreparations but merely a mild cleansing agent that will release and preserve its own normal health and glow. Resinol Soap is ideally cleansing and refreshing. Its gentle action thoroughly rids the pores of dust, soot, germs, etc., which interfere with their normal activity, and mean ruin for the complexion. Its rich color and distinctive fragrance come naturally from the healthful Resinol properties it contains— those properties which are causing Resinol Soap more and more to take the place of the ordinary, highly perfumed soap whose strong odor is only too often a cloak for mediocre quality and harmful ingredients. If your complexion is now marred by blackheads, blotches, roughness, etc., apply Resinol and see how quickly it clears them away. This soothing, healing ointment has been successfully prescribed for years for skin disorders. Itching rashes, slight or serious, chafings, or the smart of a burn, cut or sore quickly respond to its first application. No home should be without it. Resinol products sold by all druggists. Resinol SOAR/fes* v ■ ■ . . *y , Dept. C, Resinol, Baltimore, Md. Please send me, without charge, a sample of Resinol S«ap and of Resin A Ointment. Name Street ... City State Jit * will You can laugh at this old hat, but Raymond Ration would laugh at you if you offered him $200 for it. Old hats are priceless to character actors. This one is forty years old and went through two Galveston floods, a forest fire and several battles with cattle rustlers in Texas "Charley's Aunt" at any of the pre-views is unanimous in declaring it one of the greatest farce comedies ever screened. Al Christie is now in that enviable position of sitting back and weighing the various merits of the cash offers which have been made for his great comedy special. And so pleased is he with his plunge into the five-reel field, that work has been started on another special comedy, a picturization of the musical comedy success, "Stop Flirting." RIDING in a train to Boston we passed one of those rockbound Xew England farms containing a small forest of bean poles. It was a dreary sight. The surrounding countryside lay buried in snow except this small bare patch where the wind had swept it away. Our imagination began leaping forward to summer when these same, unsightly bean poles would be clad with verdant, clinging vines and the thought made us happy. We glanced back at our paper and read: "Xita Xaldi. playing opposite Valentino in 'Cobra,' now weighs 123 pounds, and Barbara La Marr, starring in 'Heart of a Temptress,' weighs 124. Our vamps are coming down in the scale." Bean poles and slender vamps! Will summer never come again? nrHE world is all upset. Here's hew Cody *■ turning hero in Elinor Glyn's new picture, "Man and Maid" and William Powell turning hero in E. H. Griffith's production, "White Mice," and Stuart Holmes doing a kind deed in Josef Von Sternberg's "The Salvation Hunters." We're positively stricken at such a turn of events. ; advertiseni.ni hi PHOTOPLAY MAGAZINE is guaranty OLD hats are priceless to character actors and Raymond Hatton recently acquired one which he would not trade for the finest chapeau purchasable on Fifth Avenue. It was worn for more than 40 years by an ox driver, and is full of holes and patched with thongs, but Raymond would laugh at you if you offered him S200 for it. It was presented to Irvin Willat when he was directing "North of 36" by an old Texas ox driver who worked in the picture. Willat gave him a handsome new Stetson for it, and when Hatton was cast in "The Thundering Herd" Willat gave it to him. The venerable hat has been through two Galveston floods, a forest fire, and several battles with cattle rustlers. CAROL DEMPSTER has become a regular nighthawk. Carol is a cross word addict and she believes in finishing what she starts. Hence, the midnight oil. "Isn't Life Wonderful? " gloats Carol around 3 A. M., after solving a cross word puzzle. We'll say it is. WE were watching John Dillon direct Dorothy Mackaill and Paul Nicholson in a scene from "Chickie." It was a dramatic episode and everybody's nerves were worn to a frazzle. Pretty Dorothy, frail and lovely a> a flower, was on the verge of real tears. Jack, calm and patient, explained just how he wanted the scene done. The atmosphere was ten-e with emotion. Just as it seemed as if everything was wrong, as if there wasn't a possible chance for anything to be right, a freckledfaced youngster who was accompanying his