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102
Photoplay Magazine — Advertising Section
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Plays and Players
{Concluded from page 100)
A LOS ANGELES paper in an announcement of a benefit recently carried the following line, "Herb Ravvlinson is tuning up his ukelele for parodies on the habits of many famous film stars."
We didn't know the habits of film stars could b illustrated on a ukelele, but we are willing to be shown.
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SUNSET INN still rambles merrily along. Anyone that wants to see the festive movie at play, can make a trip down there on the now famous Photoplayer's Night — Wednesday — and be sure of getting intimate glimpses of the screen great.
Last Wednesday night — which by the way, in all modesty, we wish to say was Photoplay Magazine Night, with a Photoplay Magazine Cup presented for the danci ing contest — was a large evening.
At one table I saw Roscoe Arbuckle — at least he was at the table when he wasn't playing the drums for the orchestra — with Katherine Fitzgerald, Lottie Pickford, in a brown crepe de chine frock put together with wide hemstitching, Rubye de Remer, who wore a bewitching little blue silk hat turned back from her blond hair, Texas Guinan, in blue, black and orchid sequins (what there was of it, though when she sat down you actually couldn't do much in the way of description for a fashion column), Gertie Neilan, Jack Pickford, Alan Forrest and some others I didn't know.
And I saw pretty Mary Thurman, in a Quaker-cut, shortskirted frock of opalgreen-blue, that set off her hair to perfection. Phyllis Haver was in iridescent sequins, with a big picture hat of black and gray, while Peggy Elinor wore mauve chiffon, with a dainty, brilliant hat of green ornamented with feathers.
Bryant Washburn and his wife, and Howard Hickman and Bessie Barriscale, Bessie in black net simply made with a brilliant girdle of old rose and silver, were together, and Priscilla Dean and Wheeler Oakman had a party of guests. Priscilla had on a marvellous hat — one of the daring kind she effects so much lately — a black velvet, fitted close to her head, with an enormous orange bird of paradise on the front of it. Her gown was black, too.
Lois Wilson was there with Kenneth Hawkes, looking demure and lovely in a sport outfit — a skirt of white and a rose silk sweater, with a silk sport hat. And Louise Glaum, with some unknown gentleman, had a side table — Louise always is smart and her little frock of white silk,
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with brilliant red plaid, and her bright red sailor, were very effective.
Viola Dana was there, too, very chic, and May Allison, in a black taffeta frock with one of those rounded, outstanding necks cut low, and a perky little blue and silver hat, with ?. cockade in front. Tony Moreno was with a stag party against the wall, but he managed quite a lot of dancing, and Tony is the loveliest dancer.
I was surprised to see the stately Mary Alden, in black velvet with a black lace evening hat, enjoying a bit of night life with some society folk from the Los Angeles country club.
Wallace Beery was there, too, with a very pretty girl, and Mr. and Mrs. Watterson R. Rothacker had a party of guests at a large table. Marie Prevost, in white satin and floating tulle, with pearls in her hair, was so bridal it gave me quite a start, but she assures me it's only sartorial.
As I said, it was a large evening.
JOHN'S, the famous all night restaurant in Hollywood, where the rovers of the colony are wont to gather at all hours of the day and night — chiefly night — had to be disciplined a bit by the good-natured police department, recently.
It seems that the boys, quite innocently, used to fling plates around, conduct ensemble musical numbers in various and varied keys, and engage in friendly, but often profane and thrilling rough-andtumbles.
So John had to ask 'em to key down a bit, because the "long hair" element thought they were too noisy.
Well, it's a dry and harmless place, after all, is John's, and people who are doing anything very devilish don't generally make quite so much fuss about it.
"I'M not ready yet, I couldn't get an ap1 pointment for my wig. "
Mae Busch was telling Eric Von Stroheim's 52nd assistant director about it.
It seems when you wear a wig in a picture you have to get it marcelled and dressed and washed just like your own head.
And if the lady in Hollywood who dresses wigs happens to be too busy to take your wig, you can't play.
JACKIE COOGAN, better known as "The Kid, " paid income tax on $52,000, according to government rsports.
That boy's going to be a help to his folks when he grows up.
The Shadow Stage
(Concluded from page 68)
WHAT'S YOUR REPUTATION WORTH ?— Vitagraph
HERE is an entertaining Corinne Griffith production, despite the title. The scenes are laid in New York, with gay glimpses of Broadway night life, and in the wintry silences of the New England hills. Quite worth an hour's time.
THE PLAYTHING OF BROADWAY—Realart
JUSTINE JOHNSTONE is a smart girl. She knows that beauty is only screen deep; that pretty profiles do not a picture make, nor close-ups guarantee a hit. Therefore she, and her advisers, have insisted upon a good story and a good cast, and found both in "The Plaything of
Broadway." True, the frail flapper who is swept into the Broadway whirl before she knows it, is a common enough heroine on the screen. Meeting her as she kicks her way through the first reel we know that sooner or later she will go in search of her soul and a simple grey house gown, and probably that the prattle of innocent children will revive her interest in the maternal instincts she has permitted Broadway to smother. But if it is half way interestingly told it is invariably a human story of as definite and certain an appeal as any of them. Miss Johnstone, in her pretty profiles and somewhat studied closeups, is complete mistress of the fluffy cabaret scenes. Crauford Kent gives an excellent performance as her leading man. But why the title?
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