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96
Photoplay Magazine — Advertising Section
"Holler 'miff !"
They hadn't a thing in the world against each other — unless Tom Sawyer thought the other boy altogether too well dressed. They had never seen each other until a few minutes before — and here they were tied in a knot.
Do you remember the time when the mere sight of another boy has made you mad — and what mighty good friends you might be with that boy a few minutes later ?
It is the undying spirit of youth — of boyhood— the precious, subtle something that has passed away with the years and that comes back to you with a laugh — a choke in the throat — every time you open a page of
MARK TWAIN
Rising costs make it impossible to continue the sale „ of Mark Twain at the low * price. New editions will have to cost very much more i than this Author's National Edition. Now the price must go up. You must act at once. You must sign and mail the coupon now. If you want a set at the popular price, do not delay. This edition will soon be withdrawn, and then you will pay considerably more for your Mark Twain.
Low Price Sale Must Stop
The last of the edition is in sight. There will never again be a set of Mark Twain at the present low price. Now is your opportunity to save money. Now
— not tomorrow — is the time to get \oiir Mark Twain. Mail the coupon only. Send no money.
Harper &. Brothers
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NEW YORK
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18 Franklin Square, New York
Photoplay 5-19
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"Ravished Armenia" (Propaganda) — Colonel William N. Selig comes back as a producer, this time in the interests of oppressed Asia Minor, for it is he who made this interesting, though sometimes horribly detailed pictorial recount of a little people's long struggle for liberty. Miss Aurora Mardi•.lunian, allegedly a survivor of this identical annul, plays a principal part.
"Maggie Pepper" (Paramount) — Ethel Clayton, well supported by a typical Lasky cast, in an entertaining version of Rose Stahl's department-store romance.
"Hell Roarin' Reform" (Fox; — Tom Mix, playing a good part in a story of straightaway Western action. Here is a Fox picture you will like.
"The Man-Hunter" (Fox) — William Farnum, convincingly directed by Frank Lloyd, in a very unconvincing story — by Frank Lloyd. Shoot a one barrelled gun after this. Mr. Lloyd. Louise Lovely is a most admirable heroine.
"The Scarlet Shadow" (Universal) — Mae Murray, in a somewhat ordinary mystery well cast and well directed by Robert Leonard. Miss Murray has learned, at last, a proper make-up for her mouth.
"Breed of Men" (Artcraft)— Bill Hart. The story varies its locations by taking in actual Chicago, but it never rises above mediocrity.
"The Girl Problem" (Vitagraph) — Ever hear of a literary model — same as an artist's model, only different? Corinne Griffith is one in this picture.
"The Pirate Millionaire" (Universal) — A most unusual picture, with Monroe Salisbury in an appealing and finely played part. As Salisbury plays a twentieth-century reincarnation of Jean Lafitte, the famous Xew Orleans buccaneer — in a powerful, dashing, imaginative way — one wonders why this dully unimaginative rrrin title?
"The Long Lane's Turning" (RobertsonCole) — A poor story, partially redeemed by the acting personality of Henry Walthall.
"Come Again Smith" (Pathe) — Good light entertainment, featuring J. Warren Kerrigan.
"Common Clay" (Pathe)— A well-told screen version of the stage play, albeit with some very radical departures from the spoken version. Fannie Ward is the star.
"Johnny-on-the-Spot" (Metro) — Melodrama and farce-comedy, quite uninspired, but flavored with the breezy personality of Hale Hamilton.
"As the Sun Went Down" (Metro)— A Western melodrama overcrowded with incident, and anon trespassing on probability. Nevertheless interesting, finely cast, and well directed, with Edith Storey in the stellar role.
"The Girl Dodger" (Ince-Paramount) — Charlie Ray, in his inimitable boob character, but the story suffers from plot uncertainties. In one place it is a literal dramatization of the legend of that gentleman who wandered into the ball-room without his trousers. Comic subtitle cards and exquisite little Do-is Lee are other features.
"Mrs. Wiggs" (Paramount 1 — Marguerite Clark, in an excellent and passably humorous screen version of the well-known story and play,
"Hard-Boiled" (Ince-Paramount) — Do-othy Dalton, as a musical comedy person stranded in a small town, and her many subsequent adventures.
ERIC CAMPBELL, famous heavy-weight who was Charlie Chaplin's foil in all tinlittle comedian's comedies before he met Indent h in an automobile accident has a successor— Thomas A. Wood, who tips the scales at 500 pounds. Wood's weight at birth was 17 pounds. Besides weighing more than his entire family put together, Thomas is said to be a good actor.
• idverUsemenl In PHDTOPI4A.T MAGAZTNB Is guaranteed.
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