Photoplay (Jul - Dec 1916)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

The Shadow Stage 119 ve have had described .is the epochal period of those who tumble off high build ings or leap from bridges, one's life sup pose-til) passes in review. So. when a gray-haired Duchess tumbles down in from of the altar ol an Kpiscopal church through sudden cardiac insolvency, we see what .»/; saw : the rapid panorama <>i a gyps) girl's incarnadined am! far Hung life ; a rise from tented slaven to master) of castle and hall, and thai not without considerable devilish lies- ami the letting oi blood as an atone tnent for vain desire. The vision, comprising the most of the play, is really magnificent melodrama, told with a heartiness and fervor which are inspiring. The epi prize package "i literarj absorbent cotton. The fact that Pauline Frederick is not espe< ull\ prettj as Madge, the to be royal gypsy, dm- I,,, i detract from the passion and power "f her characterization. Thomas Holding, Frank Losee and I. \V. Johnson arc a male trio providing a support invariabl) good but at no momeni brilliant. I'auhnc Frederick us Madge, the gypsy, m sode s surrounding is a ■■■,,,,. Momma /;,/<»,.• ' "JV/I \UI A ROSA," the thin! ,.i Lasky's Cieraldine Farrar plays, taken last summer the storj has been told at length in a previous issue of Photopi u Mag.a zine — was unrolled publicly for the first lime last month. It is a rich tapestry, dra matic even in its pho tography, In it the