Photoplay (Jul - Dec 1916)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

92 Photoplay Magazine Stone-man's sun-, and Ralph Lewis as Stoneman lived exactly up to what his personality promised when he was selected. And there were George Siegmann, the mulatto Lieutenant Governor, and Walter Long as the awful negro Gus, and Mary Alden, Stoneman's mulatto housekeeper. "There has been question as to why I did not pick real negroes or mulattos for those three roles. "That matter was given consideration, and on careful weighing of every detail concerned, the decision was to have no black blood among the principals; it was only in the legislative scene that negroes were used, and then only as 'extra people.' "There were six weeks of rehearsals before we reallv began. 1 think it took something like six months to make the picture — that is. the actual photography ; but in all I put in a year and a half of work. "It was a big venture in numbers at that time; I suppose from first to last we used from 30.000 to 35,000 people. "That seemed immense at that era. but now. in the piece we temporarily call 'The Mother and The Law,' (Mr. Griffith's huge new feature, just completed. and named "Intolerance") we have used since a^l the first of January about fifteen thousand people a month, (this statement was made in the latter part of April) and I cannot see even the beginning of the end as yet. "With 'The Clansman' it was Above, an unconventional camera Cooper, for instance, pastel of Blanche Sweet at the time I kept in the com she first came under Mr. Griffith's panv for all the direction atBiograph Fight, in -., , , one of the first Griffith close-ups. months between the idea that I might make the picture until the work began, because I knew she would be an exact 'Cameron' girl. "Everyone of the cast proved to be exactly what was required. "When I chose Lillian Gish as Stoneman's daughter, she seemed as ideal for the role as she actually proved herself to be in her acting. Mae Marsh had driven her quality so thoroughly into the estimation of the public in 'The Escape' that I felt absolutely sure of her results. It was the same witli Robert llarron ami Elmer Clifton, for