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Photoplay Magazine — Advertising Section
We want to tell you something about
D
ber Photool
ecemoer rnotopiay
which will be with you the first of November
Cfl It will be the biggest, finest, newsiest, most lavishly-illustrated periodical dealing with the arts issued anywhere in the world. It will contain brilliant fiction, more stories about interesting people than you will find in any other magazine, late art-portraits of players much under the Cooper-Hewitts, inimitable humor, and a wealth of helpful and informing material. Here Photoplay admits no comparisons; it has made an especial study of service to those millions who wish to know all about the motion picture business, everywhere; and to those thousands who desire to participate in the conception, preparation, interpretation, or even the mechanics or marketing of motion picture plays.
f§ Remember that revealatory series of photographs, with informing captions, "Locations — Western " ? Next month the photographer will do in these pages for the East what he has already done for the West; the magic spots of the Atlantic seaboard will shed their magic, and stand revealed for what they really are.
f]J "Picture Politics" will show you all parties rushing to old winking one-eye — Republicans and Democrats trying to elect their candidates via the films. It's a Washington story, racily told, racily illustrated.
{J "Intolerance" is now admitted, generally, the most stupendous spectacle of any description contrived in modern times. It will be the national topic of conversation. A care
ful, descriptive analysis of this picture will lead next month's "Shadow Stage" — now recognized as the world's foremost department of photoplay review.
^ Delightful "Bill" Henry will return to these pages to describe "the house the boys all live in" — the story of a world-famous Los Angeles club which has become an incarnate movie. Harry Carr, whom readers of Photoplay knew as a rare discourser upon screens and screeners before he became a famous warcorrespondent, shies another live topic into the ring. Randolph Bartlett is going to tell you about America's " Photoplay wnght Deluxe" — no, this elegant dramatist is not C. Gardner Sullivan.
tfl To the photoplaywright, any style, any class: for years you've been heanng about what actor, director, exhibitor and manufacturer want in the way of silent drama. Next month Thomas H. Ince is going to get down to the real kernel of the nut, and tell you what the public wants — the sort of play that has sold, the sort of play that's selling, the sort of play which, apparently, is going to sell tomorrow. In conjunction with Harry Chandlee's highly instructive technical article, it will be incomparably precious advice.
^ There will be other special articles and illustrated features, exclusive and of absorbing interest, description of which is here impossible because of the very news which is theiressence.
Remember: PHOTOPLAY MAGAZINE is at once the historian, the mirror and the prophet of the Motion Picture Industry.
Even.' advertisement In PHOTOPLAY MAGAZINE is guaranteed.