Photoplay (Jul - Dec 1919)

PH0T01'L.\Y M.UIAZIXE — AoVEHTISINC. SkcIION I-JI A New Master Enters Polities (Concluded from page zg) what they read in newspapers. Typ>e tells them about something, more or less correctly. The picture shows them the actuality of the same thing, m living detail. I believe, to revert to the question of political equality, that the time has come when the motion picture should be represented in both houses of ever\ slate legislature, and in the lower house ot Congress. In conclusion, let mc say that motion picture pohtics are not connned to externals. The picture b going in for a political scouring in its own house. By its org;iniiation of producers, perfected for that particular purpose in New York City in the month of April, it has made it impossible for the presenter of screen filth and uncleanlincss to survive in business — simply because he won't be able to get any more pictures from anyone. And that is more than all the censors in the world have been able to or ever could accompU&h. Q for Querentia (Concluded jrom page jj) Pcnrhyn Stanlaws, American artist, pasteled her in his paintings; she posed for other artists — and if you'll raLe up your magazines of the pteriod, you'll find a striking resemblance between our Anna and the cover queens. Along about this time, pictures began to mo\-c; and Miss Xilsson found herself in the v-anciurd of that pretty feminine procession which began to wend its way screenward. She landed with Kalem. Her first part was in a one-reeler; then they put her in stock and later starred her. You will remember her, too, in Fox, Ivan, and World dramas; in the Pathe serial, "Who's Guilty?" with Tom Moore; with Robert Warwick in "The Silent Master;" with George M. Cohan in "Seven Keys to Baldpate." Then she was featured in the Rex Beach picture. "Heart of the Sunset." Metro offered her a contract, and here she is — with Bert L\ttel in "The Trail to Yesterday," in "In Judgment Of." with Frankh-n Famum, and as a star on her own in "The Way of the Strong," with others to come. And plans for joining the M. O C. movement are said to be pending. (That means "My Own Company.") No Kisses in Japan AMERIC.W photoplay-film producers are finding it convenient to make some modi^cations in the "lines" of the icrecn performers in films intended for export to Japan. Since the greater part of the films shown in Japtan are produced in this countr>-, the activities of the police censor on the other side of the Pacific show the wide difference in views on what i~ decorous conduct in public stage productions. -According to the magazine The Far Ea^l, the police, during the six months ennc! March i last, removed 2350 kisses from the imported films. The police do not like to see kissing in public, hence they forbid an oiculatory scene on the screen. 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