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Photoplay Magazine — Advertising Section
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Brief Reviews of Current Pictures
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[ CONTINUED FROM PAGE 8 ]
GOLD RUSH, THE— United Artist*.— It marks the long-awaited return of Charles Chaplin to the screen. A great — but not the greatest — comedy of a
fine artist. (September.)
GOOSE WOMAN, THE— Universal.— A fine psychological study of a striking but repellent character Jet in the atmosphere of a murder mystery. Superbly acted by Louise Dresser, Jack Pickford and Constance Bennett. (September.)
GO STRAIGHT— Schulberg — A crook story dressed up with some off-screen views of the stars at work. Just fair. (July.)
GRAUSTARK — First National. — Norma Talmadge and Eugene O'Brien in a new version of the old stoiy. Good for those who are fond of sweets. (November.)^
GROUNDS FOR DIYORCE— Paramount— A
French farce that just misses being delightfully frothy. Matt Moore and Florence Vidor are in it. (September.)
HALF WAY GIRL, THE— First National — Doris Kenyon in a story of the sordid side of the Orient. A ship explosion adds a much-needed thrill to a commonplace movie. (October.)
HAPPY WARRIOR, THE — Yitagraph. — The story is oversentimental, although it has its exciting moments. Malcolm MacGregor is good as the hero. (September.)
HAUNTED RANGE, THE— Davis Distributing; — Ken Maynard, a newcomer, joins the "heavy ridin' brigade." Just another of those "Westerns." {November.)
HAVOC — Fox. — Showing the disastrous effects of the war on London society. A dismal drama is relieved by George O'Brien. (November.)
HEADLINES— Associated Exhibitors.— A fairly interesting newspaper story with Alice Joyce, Virginia Lee Corbin, Elliott Nugent and Malcolm MacGregor. (September.)
HEARTS AND SPURS— Fox.— Buck Jones in a
riot of hard-riding. It lias plenty of action, so why worry about the story? (August.)
HELEN'S BABIES— Principal.— A nice little entertainment for the children with Baby Peggy furnishing most of the fun. (July.)
HELL'S HIGHROAD— Producers Distributing.— Cecil B. De Mille again gives the low-down on the lives of the rich. Leatrice Joy is starred. (November.)
HER SISTER FROM PARIS— First National.— Constance Talmadge, Ronald Colman and George Arthur make this one of the funniest comedies of the year. But not for the children; oh dear, no! (Nov.)
HIS BUDDY'S WIFE— Associated Exhibitors — An Enoch Arden story of the World War. capably acted by Edna Murphy and Glenn Hunter. (September.)
HIS MAJESTY BUNKER BEAN — Warner Brothers. — A good plot is ruined to make a slapstick holiday. Matt Moore does his worst with the title role. (November.)
HOME MAKER, THE— Universal.— A domestic drama with an unusually intelligent and thoughtful plot and fine acting bv Alice Jovce and Clive Brook. (October.)
HOW BAXTER BUTTED IN— Warner Brothers. — Matt Moore as a sappy clerk who would be a hero. He gets his wish. An amusing comedy melodrama. (August.)
HUMAN TORNADO, THE— F. B. O.— Wherein the wild-ridin' Westerner again establishes his in nocence of a lot Of neatly assorted crimes. (September.}
IF MARRIAGE FAILS?— F. B. O— Another one of those society dramas. Clive Brook, as the rich man, falls in love with a fortune-teller, played by Jacqueline Logan. Not so good for the children. (August.)
I'LL SHOW YOU THE TOWN— Universal — Another hit for Reginald Denny. A genuinely amusing farce. (August.)
ISLE OF HOPE, THE— F. B. O— In which
Richard Talmadge does his daily dozen. (November.)
JUST A WOMAN— First National.— .lust a picture. Redeemed by some good acting by Claire Windsor. Percy Marmont and Conway Tearle. ( lugtwj.)
KEEPER OF THE BEES, THE— F. B. O.— Not worthy of Gene Stratton rotter. Little Gene Str.itt,m, the girl-boy, is very interesting. {Dec0mber.)
KEEP SMILING — Associated Exhibitors. — In which Monty Banks again tries to prove that he's a comedian. {September.)
KENTUCKY PRIDE— Fox.— The biography of a
taee horse, interwoven with a human story. A pleasant novelty. {October.)
KISS BARRIER. THE— Fox. — Claire Adams and Edmund Lowe in a light romance. (July.)
KISS ME AGAIN— Warner Brothers.— An ideal picture for adults. It's sophisticated, witty and shrewd. Ernst Lubitsch directed it and Marie Prevost, Monte Blue and Clara Bow are in the cast. (July.)
KIVALINA OF THE ICE LANDS— Earl Rossman. — Like "Nanook of the North," another fine picture that was made within the Arctic Circle. (September.)
KNOCKOUT, THE— First National.— If you like Milton Sills, maybe you'll be able to believe that he looks like a light heavyweight champion. If not — well, here's your warning. (November.)
LADY WHO LIED, THE— First National— A colorful production with a rather weak plot, ably acted by Lewis Stone, Nita Xaldi and Virginia Yulli Not for the children. (September.)
LAST EDITION, THE— F. B. O.— An exciting story of the inside workings of a great metropolitan daily, with Ralph Lewis as foreman of the room. Good. (December.)
LAW OR LOYALTY— Davis Dist. Co.— Again our friends, the Mounted Police, struggling between love and duty. Fairly interesting. (December.)
LET'S GO GALLAGHER— F. B. O — Introducing a new Western star, Tom Tyler. The boys will like him. Good fights, stunts and rescues. (December.)
LIGHT OF THE WESTERN STARS— Paramount.— One of Zane Grey's standard Western stories with Noah Beery doing his stuff as a swell villain. (September.)
LIGHTNIN' — Fox. — Much of the rare humor of the stage play is strangely missing from the screen version. It's rather mechanical and routine entertainment. (October.)
LITTLE ANNIE ROONEY— United .Artists.— In which Mary Pickford returns again as Queen of the Kingdom of Childhood. A thoroughly delightful picture. (October.)
LITTLE FRENCH GIRL, THE— Paramount.— A study in French and English morals, not particularly suited to the screen. But it has its interest. Alice Joyce and Mary Brian take the acting honors. (August)
LITTLE GIANT, THE— Universal.— A nice little story of young married life with Glenn Hunter and Edna Murphy. (September.)
LIMITED MAIL, THE— Warner BrothersMonte Blue in a railroad melodrama that sometimes misses fire. (September.)
LIVE WIRE, THE— First National. — Johnny Hines in the title role. Lots of "gags" and roughneck comedy. (November.)
LORRAINE OF THE LIONS— Universal.— The story of a little girl cast away on a desert island. Patsy Ruth Miller, as the girl, is rescued by Norman Kerry assisted by the long arm of coincidence. (October.)
LOST— A WIFE— Paramount.— Adolphe MenjoU and Greta Nissen in one oi those divilish French farces. Fairly amusing. {September.)
LOVE HOUR. THE— Yitagraph.— The heroine goes to Coney Island and wins a millionaire. It's one of the silliest picture of the year. (November.)
LONERS IN QUARANTINE— Paramount.— The younger set will think this hot stuff. Their elders may be amused. Bebe Daniels and Harrison Ford, good. (December.)
LUCKY DEYIL. THE— Paramount.— Richard Dix dashes through an extremely dashing and entertaining automobile story. (September.)
LUCKY HORSESHOE. THE— Fox— Wherein Tom Mix falls asleep and dreams that he's Don Juan. Just another Mix success with Tony and. as an added attraction. Ann Pennington. (October.)
LYING WIYES— Abramson. — Lots of intense domestic trouble enjoyed by a batch of characters who seem to be half-witted. (July.)
MAD DANCER, THE— Jans.— A mean trick on little Ann Pennington who deserves something better. Not for the kids. (July.)
MAD WHIRL. THE— Universal.— You'll be surprised to see Ma> McAvoy in this story of the evils of cocktail drinking. May leads the crusade against the vice. (September.)
MAKING OF O'MALLEY. THE — First National.— Milton Sills glorifies the New York cop. Dorothy Mackaill is the rich school teacher who marries him. (September.)
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