Photoplay (Jan - Jun 1926)

*4 Photoplay Magazine — Advertising Section -KyjSTA-\wlz]?\ Brief Reviews of Current Pictures You Too, Can Succeed as a Dancer if Properly Taught! Save Time, Money, and Possible Disappointment by Studying With Ned Wayburn, the Man Who Helped Evelyn Law, Ann Pennington, Marilyn Miller, Gilda Gray, Fred and Adele Astaire and Scores of Other Famous _Stars up the Ladder of Fame! F you are ambitious for a successful stage career, Selecting the right course of training is of vital importance to you. Years of eff >rt and the investment of money are of little value, if the method of teaching is wrong. Thanks to Xed Wayburn, it is no longer _ necessary to take a long and doubtful road to success Mr. Wayburn's many years' experience in staging the best editions of "The Follies" and over 500 other Revues, Musical Comedies and Headline Vaudeville productions have not only made him the world's greatest authority on stage dancing, but have enabled him to perfect a marvelously simple and relatively inexpensive method of quickly preparing dancers for the stage. Previous Experience NOT Needed This is exactly the same method Mr. Wayburn used in developing and directing so many internationally famous stars. Previous experience is not necessary At the famous Ned Wayburn Studios in New York, the only school of Its kind in existence, you learn not only EVERY type of dancing, but you are also Instructed In Statecraft and Showmanship, Facial Make-up, etc. In fact, you are given the all-round training that Is essential to Brci success. CONTINUED FROM PAGE 12 New daytime and evening classes in Musical Comedy Dancing for adult girls start Monday, March 1st, and Monday, April 5th. Children's Spring Term starts Saturday, April 3rd. Teachers' Normal Course, July 6th to 31st. Enroll at once. Write today for illustrated booklet V. C. and ull information. No obligation. NED WAYBURN Studios oF Stage Dancing Inc. 1 841 Broadway, (Entr.on 60th St.)Studio U.C. At Columbus Circle, New York. Open all year 'round 9 A. M. to 10 P. M. Except Sundays. (Closed Saturdays at 6 P. M.) Phone Columbus 3500 A RAILWAY Earn Up to $250 bKHSu Unusual opportunities In this new uncrowded profession. Travel; meet big railway officials. Preparation easy in 3 months' spare-time home study. Start at $110 Upon graduation we secure position Per Month _^ for you or refund your expenses Paid. ((;$) money. More men needed Mall coupon today. . entirely free. 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THE PSYCHOLOGY PRESS, U9S. 14th St., St. LouU, Mo., Dcpt.J-C MANICURE GIRL, THE— Paramount.— She t rii~ to I)' a gold-digger but true romance wins. Bebe Daniels in a pert comedy. (September.) MANNEQUIN — Paramount. — Somewhat disappointing as a Fannie Hurst prize story directed by James Cruze. (February.) MAN OF IRON, A— Chadwick.— Lionel Barrymore attempts to prove that a man may be great in business but a dub with women. He does. (Sept.) MAN ON THE BOX, THE— Warner BrothersSpend a good evening with Syd Chaplin. (December.) MAN WHO FOUND HIMSELF, THE — Thomas Meighan goes to Sing Sing for a crime he didn't commit. It's Meighan at his most noble. (November.) MARRIAGE WHIRL, THE— First National — Another and rather tedious expose of the evils of society. Corinne Griffith is in it. (September.) MARRY ME — Paramount. — James Cruze does his best with a slender story. Florence Vidor and Edward Everett Horton do good work. (September.) MASKED BRIDE, THE— M-G-M.— Mae Murray as an Apache dancer and the toast of the Paris cafes. Mae can dance, nobody will deny that; but rather disappointing after ' 'The Merry Widow." (Feb.) MERRY WIDOW. THE— Metro-Goldwyn.— A brilliant and gorgeous screen version of the romantic light opera with Mae Murray, John Gilbert and Roy D'Arcy contributing three of the finest performances of the year. (October.) MIDNIGHT LIMITED, THE— Rayart — Gaston Glass and Wanda Hawley make a good team in this railroad melodrama. Above the average. (February.) MIDNIGHT SUN, THE— Universal.— The story of an American ballerina in Russia, grand dukes and moneyed power behind the throne. (February.) MIDSHIPMAN, THE — Metro Goldwyn — A rather juvenile story, but it brings back Ramon Novarro, and that's enough for most fans. (December.) MY LADY'S LIPS— B. P. Schulberg — A crook melodrama that is lively and often amusing. (Oct.) MYSTIC, THE — Metro-Goldwyn. — Aileen Pringle gives a good performance in this melodrama of a fake fortune-teller. (November.) NEVER THE TWAIN SHALL MEET— MetroGoldwyn. — Anita Stewart gives a piquant performance of a South Sea Island queen who loves and loses — but wins in the end. (October.) NEVER WEAKEN— Associated Exhibitors.— A welcome revival of a Harold Lloyd comedy. (Sept.) NEW BROOMS— Paramount. — It won't sweep you off your feet, but it might do to put in an evening. Everybody overacts but Bessie Love. (January.) NEW COMMANDMENT, THE— First National. — It's "Thou shalt not doubt.'' Wealthy boy. artist's model, misunderstanding, war, and the thrillingest love scene in months. (January.) NIGHT LIFE OF NEW YORK— Paramount.— A round of sight-seeing in New York's hotels and night clubs. You are accompanied by Rod La Rocque, Dorothy Gish and Ernest Torrence. (Sep:.) NOT SO LONG AGO— Paramount.— Aside from the work of Betty Bronson and Ricardo Cortez, this is a rather dull story of Manhattan in its Age of Innocence. (October.) OLD CLOTHES— Metro-Goldwyn.— The last time you will have to look at Jackie Coogan without a haircut. Maybe that's worth a quarter. (January^ ONE YEAR TO LIVE— First National.— Aileen riine.li' hears the sentence of the doctoi and then cuts loosi inParis. It all turns out all right. {September.) ONLY THING. THE— M-G-M.— -Conrad Nage! with sex appeal] And a mustache. Eleanor Boardman in a blonde wig. An Elinor Glyn story of a prinC( >~ forced to marry an old king. See it. (February.) OTHER WOMAN'S STORY, THE— Shulberg.— A tiresome story that might have been a good mystery melodrama. (January.) OUTLAWS D lUGHTER, THE— Universal.— A whale of .i climax in this melodrama with hero and villain righting to the death in an aerial bucket. (Feb.) PACE THAT THRILLS, THE— First National.— Beautiful MaryJAstor wasted in this silly story. (Dec) PAINT AND POWDER— Chadwick.— The good little chorus girl becomes a star and marries the producer. Just fair. (December.) PARISIAN LOVE — B. P. Schulberg. — Just another one of those things. In case anyone cares, it's tin romance of an Apache girl. Not for children. (Oct.) PASSIONATE YOUTH— Truart.— Now. really. what did you expect from the title? (September.) PATHS TO PARADISE — Paramount. — Raymond Griffith again proves he's a real star. (September.) PEACOCK FEATHERS— Universal.— An intell gent story of a rich girl who marries a poor man; we directed by Sven Gade and capably acted by Jacque line Logan and Cullen Landis. (November.) PEAK OF FATE, THE— Frank B. Rogers.— A fine Swiss scenic — with incidental love story. (Sept.) PERFECT CLOWN, THE— A very bad comedy with Larry Semon. Might have been funny in two reels. (February.) PLASTIC AGE, THE— The collegiate set is carrying on again. The usual jazz drama, with Clara Bow and Donald Keith. (December.) PONY EXPRESS, THE— Paramount.— James Cruze directs another great story' of the West. Wonderful acting by Wallace Beery'. Ricardo Cortez and Ernest Torrence. (November.) PRETTY LADIES — Metro-Goldwyn. — A good human interest story plus the Ziegfeld Follies and an all-star cast. A treat for the eye. (September.) PRIVATE AFFAIRS— Producers Distributing. — A charming story of small town life, accurately presented and well acted. (September.) PROUD HEART (title changed from HIS PEOPLE' — Universal. — One of the finest pictures of Jewish emigrant life we've seen. Schildkraut, pere, contributes a great performance. (December.) RANGER OF THE BIG PINES— Vitagraph.— The usual Western with the usual fight, and a good performance by Eulalie Jensen. (October.) RED HOT TIRES— Warner Brothers. — Just a mix-up of good, bad and indifferent comedy, played by Monte Blue and Patsy Ruth Miller. (November.) REGULAR FELLOW, A— Paramount.— (Reviewed under the original title. "He's a Prince"). A gay burlesque of royalty with Raymond Griffith as a prince with democratic ideas. (November.) RID1V THE WIND— F. B. O— Fred Thomson disappoints. He rescues his brother from bandits, returns the stolen money and wins the girl. (December.) ROAD TO YESTERDAY. THE— Producers Dist. — Catch this picture for the gorgeous train wTeck. The story is a little muddled but fairly entertaining due to the reincarnation theme. (January.) ROSE.OF THE WORLD— Warners— Sincere per formances by a good cast, but an unconvincing story. Not very worthwhile. [.January.) RUGGED WATERS— Paramount. — Outside of a few good storms and some rousing sea stuff, it's just an old-fashioned melodrama. (October.) SALLY. IRENE AND MARY— M-G-M— An ex trei ely interesting story of chorus girl life, with a splendid cast and a goodly sprinkling of laughs and tears. Sally O'Neil is a knockout! (February.) SATAN IN SABLES— Warner Brothers.— Lowell Sherma-i it a bad Russian grand duke. Pauline Garon IS a little rose from Montmartre. (December.) SCANDAL STREET— Arrow. — An interesting! pictur. because or "Dovie studio atmosphere. Story of a movie actress and her husband who are both | starred at the same studio. (January.) SEA WOLF, THE— Ralph Ince Prod.— A wellI made picture of Jack London's famous novel. (Feb.) I SCARLET SAINT. THE— First National.— A | very dull story and inexcusably sexy. (February.) SCRAPP1N" KID. THE— Universal.— A convett tional Western with Art Acord. Fair. (February.) SEVEN DAYS — Producers Distributing. — The famous farce is given splendid production and it is well acted. Eddie Gribbon is very amusing. (November.) SEVEN KEYS TO BALDPATE— Paramount Leave the dishes in the sink. If you miss the first ol this, you're lost. A corking comedy-melodrama witfc Douglas MacLean and Edith Roberts. (January). SEVEN SINNERS— Warner Bros.— A hilarious crook story with Marie Prevost and Clive Brool heading a good cast. (February.) SHORE LEAVE— First National.— A genuinely funny comedy, a charming love story and Richarc Barthelmcss at his best as a tough gob. (September.' SIMON THE JESTER— Producers Dist.— A hodge-podge story about a clown with a broken heart played uninterestingly by Eugene O'Brien. (Feb.] Brers itfrwtlsement In PHOTOPLAY MAGAZINE is Guaranteed.