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THE ENCHANTED HILLParamount
A TRITE and shop worn Western story made interesting by a capable cast consisting of Jack Holt, Florence Vidor, Noah Beery and George Bancroft, lrvin Will. it, the director, has handled this with a certain freshness thai tends to rescue this from the usual run of Westerns. ' lis the same oM story of the heroine believing the stories the villain tells about the hero and you know all heroes are spotless.
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CORINNE GRI1 I I I II dazzles as the ravishing heroine in this heavy, slow moving version of the stage play by Somerset Maugham. The only thing worth whih about the picture is Corinne's loveliness as she begins to accept the attentions of her husband's secretary. After an uncertain romance, she realizes her love for her husband. Percy Marmont and Malcolm McGregor complete the triangle.
MIKE—Metro-Goldwyn
WRITTEN and directed by Marshall Neilan— if that means anything. The picture is amusing in spots and especially those spots diverted to Charlie Murray and Ford Sterling, who give excellent performances as the town inebriates. Outside these two favorites — it's dull. This production has been on the shelf for a number of months and it could have been left there as far as we're concerned.
THE OUTSIDER— Fox
AN intriguing story of a healer who has the physicians in London puzzled. A famous dancer, daughter of a physician, is hurt while dancing and a consultation reveals her to be a cripple for life. The famous healer begs audience with her and she places herself under his care. You know the rest. Jacqueline Logan is excellent. Lou Tellegen and Walter Pidgcon are in the cast. Good entertainment.
SOULMATES—Metro-Goldwyn
THIS is the production that is supposed to have been written by Elinor Glyn. but according to the lady's story it was re-hashed by Carey Wilson. We don't know whom to blame, for this is the silliest and most uninteresting picture seen in some time. Edmund Lowe essays a giddy role that is irritating, and Aileen Pringle assumes a cold attitude unbecoming to her. Not worth while.
THE SONG AND DANCE MAN— Paramount
THE film version of this famous George M. Cohan comedy is not about the Song and Dance Wan. It's about Bessie Love and her talented Charleston legs. She tucks the picture in her vanity case and walks away with it. Tom Moore gives an uninspired performance. The motivation of the screen play is very weak and the continuity jerky
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