Photoplay (Jul - Dec 1927)

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Qcrap Drapes, Turning demon Waste into a modern movie version Gwen Lee displays the oldfashioned patchwork quilt gone cinema, silken scraps bound with satin ribbon Its final fate. Once this velvet gowned Mae Murray. Now it's only a doormat ONCE movie settings were too extravagant both in taste and cost for the average homemaker's satisfaction. Today the best architects and finest decorators are being employed by the studios and every feature film shows rooms that can be adapted in their entirety to any home. Furthermore, economy is the force producing these novel results THE best material is the least expensive, because it lasts so long, according to the wardrobe and "set" artists of the Metro-Goldwyn-Mayer studios. "We purchase only the finest materials," Joe Rapf, head of the wardrobe department, explained. "This is in line with our economy program. These luxurious materials are made into gowns for the stars," he continued, "and then made over and sent to dress the extras. "When they have been utilized by them as long as possible, some are placed in the wardrobe of the character actors. They are never destroyed. In the end, all the materials find their way to the department where drapes, lamp shades, rugs, pillows, etc., are made for the sets. Now that we are making all of our own A movie escape from the high cost of curtains — combine English print with ruffles from an old dress Every coat has its silken lining, every worn lining its good spots. Why not make those good portions, as here, into table runners? J