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Photoplay Magazine — Advertising Section
CLASSIFIED ADVERTISING
FORMS FOR FEBRUARY ISSUE
CLOSE DECEMBER TENTH
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AGENTS AND SALESMEN
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JAWS OF STEEL— Warners
NOTHING to offer except Rin-Tin-Tin. Rinty is another star suffering for want of better stories. This is a cemetery of old plots. The setting is Western. There's a little child who leads them. There's a murder, a crooked land shark and gold in them hills. Except for Rinty, all is very, very dull.
WOMEN'S WARES— Tiffany
AVERY much pursued model, as the heroine, is Evelyn Brent. Seems as though the men just can't leave her alone. Hut the story lias an unusual twist at the end and on the whole it is pretty fair entertainment. There are two men with the honors about even; they are Bert Lytell and Larry Kent. Gertrude Short contributes a worth while comedy performance.
DOG OF THE REGIMENT— Warners
THIS is one of the best Rin-Tin-Tin starring pictures done in the last year. It is a war tale, which has its opening in Germany prior to hostilities. Here the American hero and the German heroine meet; the war parts them, later they are reunited when his plane is shot down behind the lines and she is a nurse in a German hospital camp. Of course the dog belongs to her. He likes the American and aids him to escape. Tom Gallery is the hero, Dorothy Gulliver an appealing fraulein. John Peters did a Yon Stroheim heavy.
THE GIRL FROM CHICAGO— Warners
CONRAD NAGEL again proves his versatility, in the part of Handsome Joe, habitue of underworld haunts. Myrna Loy, acombinat ion of Southern old-age refinement and modern sophistication, goes out to find the man who has framed her brother. She uses her beauty and brains to lure the underworld boss, William Russell, into her toil, and he boastingly admits his guilt, thereby saving her brother from the electric chair. Supporting cast includes Carroll Nye and Randolf Anders. A melodrama you will surely enjoy.
PARIS OR BUST— Universal
THIS picture records the antics of Glenn Tryon, who took a correspondence course in flying. With an unctuous personality, he breezes through every scene, a smile on his face and a peanut between his fingers. He knows he is "a born flyer, for his mother gave his father the air." The most impossible of all the ludicrous situations is when Glenn takes Patsy Ruth Miller and her father for a trip around the world in his home-made aeroplane. A farce that will give you many a laugh.
THE CRUISE OF THE HELLION— Rayart
THE independent producers have a habit of turning out pictures pretty fast, but occasionally they make a good one like "The Cruise of the Hellion." A wealthy shipper decides to have his son shanghaied on his own boat, to reform the boy. Donald Keith, the boy, takes many a good beating in the making, but is compensated by winning pretty Edna Murphy at last. Tom Santchi, Francis Ford, and others add to the interest of the picture.
WANTED A COWARD— Sterling
CHHH! This is a mystery play — the mys'"■'tery being why it was ever made. It is without doubt the worst example of a motion picture production that has come to the notice of the reviewer in years. Robert
Fraser and Lillian Rich are the principal players. The chances are that it will never get into a theater, but if it does be sure and stay away.
NO PLACE TO GO— First National
A LIGHT comedy, based on the efforts •* *• of a blase set of rich young people to find a new thrill. The opening cabaret scene is decidedly novel. Mary Astor and Lloyd Hughes, the featured players, deliberately plan to desert their friends for a remote South Sea Island. She desired "high adventure" and he desired only her. They provide trouble enough for themselves and laughter for the audience. The picture launches the directorial career of Mervyn Le Roy and indicates that he will not disappoint those who thought he could direct.
THE FOURFLUSHER— Universal
HTHIS comedy is certain to be liked. It is *■ enacted by the "Collegian" group of 1'niversal between series. Wesley Ruggles directed it and turned out a real laugh provoking comedy in which the action moves speedily. George Lewis plays the title role, a young shoe-clerk who bluffs his way into "big business" and incidentally the affections of a charming heiress, in the person of Marion Nixon. She is charming and decidedly worth while in this production. The best performance of the picture goes to Churchill Downs.
HOME MADE— First National
JOHNNY HINES, who probably knows J more old gags than were ever published in any almanac, has turned out a production that has some real new ones that will win laughs. It is "gaggy" from beginning to end, and, while many of the scenes are farfetched, the picture will amuse. There is one sequence in a victrola shop which while dragged in by the heels will give "wise" audiences a great kick, however there may be some localities where the introduction of the effeminate male clerk will prove objectionable. The star is as usual. Marjorie Daw is his leading woman. Edmund Breese, De Witt Jennings, Margaret Seddon and Maud Turner Gordon all contribute worth while performances.
DEATH VALLEY— Chadwick
ONE horror after another. As slow — and as ugly — as the huge desert snake which kills the villain to save the hero the trouble. A gold prospecting story with theft, murder, and snooting — yet not a thrill in the picture. It would be unfair to name the players and brand them with this kind of a production. They call it a "simple story of simple people" — it is, very simple and very rotten.
THE PRICE OF HONOR— Columbia
A HEART-STIRRING drama you will remember. A powerful expose of jury decisions based upon circumstantial evidence — of district attorneys who place the glory of a favorable decision above justice. After long years in a penitentiary for a murder he did not commit, an old man is paroled that he may return to his home and his daughter to die. He finds the son of the man who put him behind the bars engaged to his daughter. The story ensnares this young hero in a mesh of circumstantial evidence which carries him to the gallows in a dramatic scene seldom equalled. William V. Mong as the old man, Malcolm McGregor as the youthful hero and Dorothy Revier as the daughter, do excellent bits of dramatic interpretations.
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