We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
H
Perkaps Thomas Ince knows best, bat it does seem unkind to divoroe Doris May and Douglas Mac T^n. doefn*t it ?
api-ei . ge: pa:i e=?^!v10 5Dr •Fet
head the publ; '"Twenty-three and -Let's Be F. ■■D'\-u know.'
.-CSC gUj
::v can't
: promiscuously. I asked, rd at me with that qu -ne to know since s;. naif Hotirs Lea\-e.'' •"Mar> s .\ ^ ^e."
ne iaid solemnly. "I do. I've never been f'- -T-ed before and I simply can t understand how s.^-r.e Tvi->r>!e habit of it the way lhe> do. The 5 .
: — de::''e ''y impleasar.t. I ^ee' Ml:e ?. the de
Hai oeen doesn't f -He
a oeiier girl. ^ ^• the sdidn't
'■.\nd now — "
accuf. to $5C
there but
jgether?
time." he f vely. "Six
-es. She wa* — a one little w '. haven't a
world to say against her. ^' . . i ask for eirl in lots of ways. She v. : panner. that
v:. :. Arjp lots in cor; vays weathered
1 successfully, were the right size and . niore than once a week. He shook his head sadly, is like that, isn't it? Just when \-ou get .5? (iays. the\ raise the price of potatoes . where are you?"
Divorce a la Film
A little iuside information on Movielancl"s latest separation.
Bv GENE NORTH
He gazed meditatively into space, redectively chewing a lettuce leaf which must have belonged to the spearmint family because it didn't seem to evaporate properly.
BUT seriously. Douglas MacLean did see the world through blue glasses that day. Thomas H. Ince had just informed him that his costarring partnei^hip with pretty Doris >Iay had come to an end. The pictures for Paramount Ancraft, which the two were engaged to make, had been completed and the Powers That Be ( who have the papers locked in the safe, you know") had decreed that henceforth the\ should be sepjarated.
.And Douglas MacLean. who has probably done more to e^taMi^h corr!e<^v of the siimt-less, slap-stick-less \-ariety than is to be an independent star. The second Paramoimt held on his services has been e.xcrcisc> > at present deep in his first starring vehicle,
•The Ya: billies'' (I know. I felt exactly that way
-.it. I may be wrong. But after I'd had it repeated three and spelled twice. I was afraid they'd make me walk so I shut up.")
^"es. it s hard to lose a good wife, even just a professional one."' went on MacLean. "and Doris has been a good one. A? 3 film vk-ife. she is par excellence. Now it's all ended. Oh. -esay I shall have other good wives. I have had some ones in the past B it I shall always remember Doris.]' There was a no , ?s in his voice. Outside his swiftly
moving dramas, kc ~d acts as little like a comedian as
anyone I ever saw. i That in a world where ever\ one in comedv wants to do tragedy and a lot of tragedians do a lot of comedv.") He has brown eyes of the kind that lady novelists describe as "nice and honest." Minus a little twinkle. the>would be soulful.
-You are married aren't >-ou. Mr. MacLean? " I asked, since the conversation seemed to be running on things matrimonial. "Oh ves." said Mr. MacLean enthusiastically. I have been forced to ask that question of a number of men a number of times ( professionally— professionally V Some answer it flabbily, as if thev were agreeing with a rich aunt (Continufd on page 123)