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GRAUSTARK— First National
HERE'S your old friend " Graustark" with its face lifted and a lot of new clothes. Norma Talmadge plays the Prmcess Yetive who falls in love with Eugene O'Brien. It's a nice romance for those who like long duets between the soprano and the tenor, and Miss Talmadge is slim and regal in her splendid background. -\nd love conquers all, even our good sense. — A. S.
THE MAN WHO FOUND HIMSELF— Paramount
THOMAS IMEIGHAX bravely shoulders his brother's crime just for the pleasure of an outing to Sing Sing. Whereupon he gets loose and shows up the rich guy who married his gal. Two humorous crooks give the picture some comedy relief and my. how it was needed! A'irginia \'alli and Lynn Fontaine offer good performances. For Meighan fans and tho=c unfamiliar with Sing Sing. — A. S.
CALIFORNIA STRAIGHT AHEAD—Vniversal
REGIN.ALD DENNY joins the ranks of the speed boys and wins the big automobile race. Never mind, it's always a thrilling climax. The rest of the story concerns Denny's adventures as boss of a de luxe transcontinental hot dog stand. The gags are funny but the plot is weak. Denny plays it for what it is worth, which is just a lot of clowning. — A. S.
THE GOLDEN PRINCESS— Paramount
WHEN you see Betty Bronson in this ston, of the California gold fields, you'll think you've never before seen the plot of the little girl alone in the rude world. For the child with curly fingers and the sly, elfin humor brings new life to an otherwise conventional mo\ae. There are good performances by Phyllis Haver and Neil Hamilton, but Bettv is the whole show.— A. S.
BOBBED HAIR— Warner Brothers
SOMETHING to make Sennett green with envy. It's a comedy melodrama of hi-jackers with no sense to it but all the fun you could ask for an evening. Louise Fazenda as a girl crook chased by a dog detective is the hit of the film, while Marie Prevost and Kenneth Harlan prove that they should be one of our best little co-starring teams. The reason for the title is "iobody's business. — A. S.
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THE LIVE WIRE— First National
IN which Johnny Hines again proves how easy it is for a young man to make good with the help of an engaging grin, plenty of agility and a lot of good gags. The gags are the most important part of the picture, which is almost innocent of plot. Fortunately they are good and fortunately they are done in an ingenious fashion that makes them seem original. — A. S.