Photoplay (Jan-Jun 1929)

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D. postman Golden Peacock, Inc., 20 Oak St., Paris, Tenn. *OUTCAST— First National. — Corinne Griffith is excellent in a daring, well directed and interesting drama. Send the children to a Western. (Jav.) . — Dick Buster OUT OF THE RUINS— First National. Barthelmess in a pretty uniform and a Keaton expression. (Oct.) OUT WITH THE TIDE— Fearless.— Great handfuls of melodrama. (.November.) PAINTED POST — Fox. — Tom Mix's swan song for Fox. (September.) PHANTOM CITY, THE— First National.— Fun and mystery in a deserted mining town, with Ken Maynard as the spook chaser. (August.) PHANTOM PINTO, THE— Ben Wilson.— Why expect a pinto pony and a flock of horses to furnisli all the brains of a picture? (August.) PLASTERED IN PARIS— Fox.— Pretty tiresome. (Dec.) POLLY OF THE MOVIES— First Division.— Inexpensive but entertaining film about an ugly duckling who would be a movie queen. (September.) PORT OF DREAMS— Universal. — Proving that you can't make a "7th Heaven" just by slowing down the scenes. Tliis one is full of yawns. (November.) *POWER — Pathe. — Romantic adventures of Bill Boyd and .-Man Hale a couple of dam good workers^ or good dam workers. And very funny, too. (Sept.) POWER OF THE PRESS, THE— Columbia. Good slant on newspaper atmosphere, course, the usual heroic "cub" reporter. PRICE OF FEAR, THE — Universal. — Something to avoid. (Dec.) PROWLERS OF THE SEA— Tiffany-Stahl. — Devastating effects of a beautiful Cuban girl on the morale of a Navy ofBcer. (September.) QUEEN OF BURLESOUE—Tiffany-Stahl.— Belle Bennett breaks her heart again in a story of show folks. (Jan.) QUEEN OF THE CHORUS, THE— Anchor.— Routine. Temptations of a cliorus girl, with virtue triumphant. (August.) *RACKET, THE — Caddo-Paramount. — Thomas Meighan. as a lone cop, cleans up a gang of racketeers, headed by Louis Wolheim. Don't miss it. (August.) RAIDER EMDEN, THE— Emelka-Columbia.— A thrilling reproduction of the most spectacular sea exploits of the War. (A ugust.) RANSOM— Columbia.— Childish rumpus over a heavy international secret. Third rate. (Oct.) RED MARK, THE — Pathe. — Depressing business in a tropical penal institution. Some people have an odd idea of fun. (Jan.) *RED WINE — Fox. — Delightful and subtle comedy of a Perfect Husband on the loose. A treat. (Jan.)^ picture. With, (Jan.) of SEX LIFE OF THE POLYP— Fox-Movietone.— Gorgeous satire on a scientific lecture, by old Professor Robert Benchley. (November.) SHAKEDO'WN, THE— Universal.— .Another yarn about a good bad-man. Fair enough. (Jan.) SHIP COMES IN, A— Pathe-De Mille.— How patriotism comes to an immigrant family. (Sept.) SHOULD A GIRL MARRY?— Rayart.— Presenting the sad problems of a gal with a past. (Dec.) SHOW FOLKS — Pathe. — Just an obvious story of theatrical people and their struggles. (November.) SHOW GIRL — First National. — It misses the piquant cliarm of the book but still it is an above-theaverage comedy. (November.) *SHOW PEOPLE — Metro-Goldwyn-Mayer. — Marion Da vies and William Haines portray the funny side of the goof vvho would get into the movies. Recommended. (August.) SILENT SHELDON— Rayart.— Pleasant sort of Western. (Jan.) SINGAPORE MUTINY, THE— FBC— Life in coal hole of a stiip — if that's what interests.you. (Dec.) *SINGING FOOL, THE— Warners.— Saga of a mammy shouter. With Al Jolson. Sobs and Vitaphone songs. (Oct.) SINGLE MAN, A— Metro-Goldwyn-Mayer.— Aileen Pringle and Lew Cody in their best smart-set comedy so far. (Oct.) SINNERS IN LOVE— FBO.— Little gal alone in a big city. Where have you heard that before? (November.) SINNERS' PARADE— Columbia.— The ritzy side of the underworld with a snappy plot. (Jan.) *SINS OF THE FATHERS— Paramount.— Emil Jannings in a tragedy of Prohibition. Not one of his great pictures — but nevertheless eminently worth yourwliile. (Jan.) SIN TOWN— Pathe.— Just a poor western. (Oct.) SIOUX BLOOD— Metro-Goldws'n-Mayer. — Indian whoopee that might have been filmed in 1910. (Jan.) SISTERS OF EVE— Rayart.— Mystery story of a missing millionaire who is not missed oy his hardhearted bride. Fair enough. (November.) SKIRTS — Metro-Goldwyn-Mayer. — Syd Chaplin in a soggy British comedy. (September.) SMILIN' GUNS— Universal.— Hoot Gibson in a really funny one. (Oct.) SMOKE BELLEW— Big Four.— Conway Tearle returns in an Alaskan yarn. Some splendid blizzards. (Ncmember.) SOMEONE TO LOVE — Paramount.— " Buddy " Rogers and Mary Brian in a thoroughly agreeable (Jan.) Lovers Greatest Moment^ "Be Mine Forever" You, too, can soon hear these wonderful words. You were meant for love. It is not hard to become , fascinating and charming — to make the man you love want you forever, if you know certain secrets about the way a man'a mind works. 'Tascinating Womanhood" is an amazing book that tells the things to avoid and the beautiful things that make girls attractive to men. We have prepared a 28-page booklet outlining the contents of this wonderful book and in it telling much interesting information you would like to know. If you want it, write name and address on margin and mail with ten cents to; THE PSYCHOLOGY PRESS 4865 Easton Ave., St. Louis, Mo. Dept 4-B BE A RAILWAYTRAFFIC INSPECTOR Earn up to $250 per month salary Many men are needed in this interesting, profitable profession where you are practicullj your own bosssee new faces and places each minuti?. Healthful w Ltion rapid. We t'-itn jou in (hree "}*'[^'*1^^_' _''P?i'*' k — promo_ _^_ ime home ..tudy and upon completion, asaiat you to a position payinE at least S120 per i salary — or refund your money, today for free booklet' can do for you. L-^fM:hJ.S^.i:i'A'.'i;Hi)i:tt^ |V *iKl Short-Story and sample copy v^ -Ml Monthly free. Write today. 3-iIS) THE HOME CORRESPONDENCE SCHOOl. totEseiwigQl Dept. 95. Springfield, Mass, Particulara of Dr. Esenwein's famous forty lesson coarse in writing and marketing of the " ample copy of The Wkiiee's RETRIBUTION — 'Warners. — ^Vitaphone with bad script but our old friend, Henry B. Walthall, registers neatly. (Dec.) *RE'VENGE — United ArUsts. — The third of the three "R's" of Edwin Carewe and Dolores Del Rio. Pictorially attractive gypsy stuff. (Oct.) RIDING TO FAME — Elbee. — Does the villainous bookie succeed in queering the horse race and wrecking young love? Don'tbedumbl (.\ugust.) RILEY OF RAINBOW DIVISION— Anchor.— Trivial comedy of the training camps. (Dec.) RILEY THE COP — Fox. — J. Farrell MacDonald's work is the best thing in a not too interesting picture. (Jan.) RIVER WOMAN, THE— Gotham.— Fine and sincere story with a splendid performance by JacQueUne Logan. (Oct.) ROAD HOUSE — Fox. — Proving that flaming youth got the idea from the older generation. Rather hot. (Oa.) ROMANCE OF A ROGUE, THE— Carlos.— Soggy. (November.) *ROMANCE OF THE UNDERWORLD— Fox.— Thanks to a sure-fire stor\-. neat direction and good acting, this film is one of the best of its kind. (Jan.) ROUGH RIDIN' RED— FBC— Buzz Barton's red hair triumphs over cinematic slush. (November.) RUNAWAY GIRLS— Columbia.— Stuffy melodrama with a moral. (Dec.) SALLY OF THE SCANDALS— FBO.— Bessie Love puts life into a back-stage story that might have been dull. (August.) SALLY'S SHOULDERS— FBC— Slightly exasperating. (Oct.) SAL OF SINGAPORE— Pathe.— Phyllis Haver as a bad girl who is reformed by a little che-ild. Salty and picturesque background. (Dec.) SAWDUST PARADISE, THE— Paramount.— From ballvhoo artist to lady soul-saver, played by Esther Ralston. (Oct.) SAY IT WITH SABLES— Columbia.— Heigh-ho I Another gold-digger stor^•. (September.) SCARLET LADY, THE— Columbia.— Ho-hum, more Russians. Silly stuff. (Oct.) *SCARLET SEAS — First National. — Hard-boiled story of a tough skipper and his gal, who manage to get religion without spoiling che picture. Good work by Richard Barthelmess and Betty Compson. (Jan.) SON OF THE GOLDEN 'WESTFBC— Tom Mix has changed his studio but not the plot of his pictures. (November.) SOUTH OF PANAMA— Chesterfield.— You've guessed it. It's all about love and revolution in a Latin republic. (Jan.) SPEED CHAMPION, THE— Rayart. — If you can get steamed up over the adventures of a grocery boy. (September.) SPIELER, THE — Pathe. — Carnival life, as it really is. And Renee Adoree knows her atmosphere. A good show. (Dec.) SPIES — UFA.— IMetro-Goldwyn-Mayer.— Dull story made only shghtly less dull by fantastic, Germanic treatment.. (Dec.) STICK TO YOUR STORY— Rayart.— Fun among the reporters. My, what a life — and what a picture! (Dec.) STOLEN LO'VEFBC— A quickie. Try the show down the street. (Dec.) STOP THAT MAN— Universal.— Arthur Lake in a comedy that's a riot of fun. Watch this ladl (September.) STORMY WATERS— Tiffany-Stahl. — Eve Southern tries a Sadie Thompson but this story of love :n the rropics doesn't quite come off. (August.) STR.ANGE CASE OF CAPTAIN RAMPER.— Defu-First National. — German picture with original plot. Just a bit heavy. (.August.) STREET OF ILLUSION— Columbia.— Backstage story and an interesting defense of the Thespian egD. (Dec.) STRIVING FOR FORTUNE — Excellent. — Doity woik in the ship-yards. (November.) STRONGER WILL, THE— Excellent.— Just one long yawn. (.4m^iij/.) SUBMARINE— Columbia.— A great thriller. %vith a fine situation and some spectacular scenes, almost spoiled by unimaginative handling. Worth seeing, nevertheless. (November.) SWEET SIXTEEN— Rayart.— Mild but fairly pleasing story of a modern girl. (Dec.) TAKE ME HOME — Paramount. — Bebe Daniels in a natural comedy of back-stage life. (November.) TAXI 13 — FBO. — Chester Conklin in the funny adventures of a superstitious taxi driver. (Oct.) *TERROR, THE — Warners. — Mystery stuff, well presented in an all-talkie. (Oct.) Every adTertlsement in PHOTOPliAT MAGAZINE Is guaranteed.