Photoplay (Jan-Jun 1929)

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Photoplay Magazine — Advertising Section THREE RING MARRIAGE— First NationalHeart interest and comedy in an original story of circus life. {September.) THREE WEEK-ENDS— Paramount.— It has Clara Bow, but that's about all you can say for it. (Feb.) THROUGH THE BREAKERS— GothamSouth Sea Island story — and a really good one. {Dec.) THUNDERCLOUD, THE— Anclinr.— A good TIDE OF EMPIRE— Metro-Goldwyn-Mayer.— Standard pattern story of Gold Rush but acted and directed with a verve that puts it over. {Dec.) TIMES SOUARE—Gotham.— Arthur Lubin imitates Al Jolson and so invites the inevitable odious comparisons. {November.) TOP SERGEANT MULLIGAN— Anchor —Fair enough war burlesque but enough's enough. {Sept.) TRACKED— FBO.— Ranger, the dog. in a picture that is better than most human efforts. (Feb.) TRAIL OF COURAGE. THE — FBC— Cactus epic and simply terrible. (September.) TYRANT OF RED GULCH— FBC— Not a Western, in spite of the title. Just a badly bent story. {Feb.) UNCLE TOM'S CABIN— Universal.— Originally reviewed in Januar\'. Sound effects have increased its box-office value. {Oct.) UNEASY MONEY— Fox-Europa.— German picture, well directed, well acted and original in theme. {Feb.) VARSITY — Paramount. — The more sentimental side of life at Princeton. Charles Rogers and Mary Brian will make it popular with the young folks. (Oc/.) VEILED WOMAN, THE— Fox.— Hollywood's foreign legion in a not bad, not good, story. {Feb.) VIKING, THE — Technicolor-M.-G.-M. — How Liff the Lucky discovered America, told in color and with plenty of whiskers. {Jan.) VIRGIN LIPS— Columbia.— Respectable, in spite of the title and some dangerous costumes worn by Olive Borden. {November.) WAGES OF CONSCIENCE— Superlative.— But where was the conscience of the producer of such a picture? (Feb.) ♦WATERFRONT— First National.— Jack Mulhall proves that he can be attractive even with a dirty face. And he is again aided by Dorothy Mackaill. A comedy with originality. {November.) WATER HOLE, THE— Paramount.— De Luxe Zane Gray Western that marks tlie return of Jack Holt. (November.) WEDDING MARCH, THE— Paramount.— Von Stroheim's romance of old Vienna, messed up with some repellant scenes and characters. Some good moments, but. as a whole, a waste of time, money and talent. (November.) WEST OF ZANZIBAR— Metro-Goldwyn-Mayer. — Lon Chancy goes cripple again. So does the plot. {November.) WHAT A NIGHT!— Paramount.— Bebe Daniels in a gaggy — and gaga — newspaper story. (Feb.) WHILE THE CITY SLEEPS— Metro-GoldwynMayer. — Lon Chancy au naturel. Swell crook story. (September.) WHIP, THE— First National.— Dorothy Mackaill in an English sporting melodrama that just misses being thrilling. (September.) WIN THAT GIRL— Fox.— With Sue Carol and Dave Rollins. Otherwise nothing to recommend it. (November.) WOLF OF WALL STREET. THE— Paramount. — Whether you have won or lost money in Wall Street, or haven't played the stock market at all, George Bancroft and Baclanova will give you one of the most entertaining talkies so far made. A delightful evening. (Feb.) ♦WOMAN DISPUTED, THE— United Artists.— Norma Talmadge and Gilbert Roland are excellent in a stirring drama of Central Europe during the war. (September.) WOMAN FROM MOSCOW, THE— Paramount, — Pola Negri's swan song for Paramount. (Oct.) *WOMAN OF AFFAIRS, A— Metro-GoldwynMayer. — Greta Garbo and John Gilbert in what is none other than Michael Arlen's "The Green Hat." Why waste space urging you to drop everything and see this one? (Jan.) WOMEN THEY TALK ABOUT Charming Vitaphone comedy. (Oct.) ■Warners." National WRIGHT IDEA, THE— First National.— But gone wrong. (Oct.) YELLOW CONTRABAND — Pathe— Dope smuggling and other cute modern occupations. (Dec.) YOUNG. WHIRLWIND, THE— FBC. tertainment, with Buzz Barton. 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