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Photoplay Magazine for November, 1929
prayer. "If he eats out of her hand now he's absolutely finished."
By this time Odette had reverted to the vernacular of the streets from which she had sprung, and she was including Billie in her tirade.
"I knew the little tart was crazy about you the first day I ever laid eyes on'her, but I didn't think, after all I've done for you, that you'd try to two-time me the first minute my back was turned."
Billie was watching Jack's face. He was looking at Odette as though he were really seeing her for the first time. Suddenly he caught hold of her wrists and in a low tense voice he ordered:
"Stop it! Billie's not a little tart. She's a good little trouper who knows her business and minds it — -"
"Oh! So that's the way you feel about her," she taunted. "Well, this is the way I feel." She jerked her hand free and struck him across the mouth.
THERE was a pregnant silence on the set as the "wonder girl" walked away. Jack's face showed crimson beneath the white of his make-up.
"Let's get on with this scene," called the director. "We've wasted enough time."
Incongruously enough, it was a love scene — • a talking sequence. According to the continuity it followed Billie's "Lonesome" song. It showed Jack in the wings, waiting for her to finish her number. The Syncopatin' Six could be heard repeating the chorus ol" Gee, baby, I'm lonesome for you."
Billie ran offstage. Jack caught her in his arms. She clung to him breathlessly, waiting for the line which the title writer had given him to speak.
" Gee, baby — did you mean that about being lonesome for me?"
She nodded.
"And did you mean that about saving up your kisses?"
She nodded.
"Then how about giving me one now — on account."
She did.
That was where the scene was supposed to fade out. But Jack added another line which was not in the script.
"If you'll save tonight for me — I'd like to collect the rest of them and interest."
ilL
Leave it to the home-loving Gleasons for the latest stunts to trick out their magnificent Beverly hovel. Here are the outlines of Russell, Jimmy, the missus and the purp to direct the weary traveler, as he approaches the house
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