Photoplay (Jul-Dec 1929)

i8 Photoplay Magazine for NovembeEj 1929 GROW^ Yes, Grow Eyelashes and Eyebrows like this in 30 days TTHE most marvelous discovery has been made — a ■*■ way to make eyelashes and eyebrows actually grow. Now if you want long, curling, silken lashes, you can have them — and beautiful, wonderful eyebrows. I say to you in plain English that no matter how scant the eyelashes and eyebrows, I will increase their length and thickness in 30 days — or not accept a single penny. No "ifs," "ands," or "maybes." It is new growth, startling results, or no pay. And you are the sole judge. Proved Beyond the Shadow of a Doubt Over ten thousand women have tried my amazing discovery, proved that eyes can now be fringed with long, curling natural lashes, and the eyebrows made intense, strong silken lines 1 Read what a few of them say. I have made oath before a notary public that these letters are voluntary and genuine. From Mile. Hefflefinger, 240 W. *'B" St., Carhsle. Pa.: "I certainly am delighted ... I notice the greatest difference ... people I come in contact with remark how long and silky my eyelashes appear." From Naomi Otstot, 5437 Westminster Ave., W. Phila., Pa.: "I am greatly pleased. My eyebrows and lashes are beautiful now." From Frances Raviart, R. D. No. 2, Box 179, Jeanette, Penn.: "Your eyelash and eyebrow beautitier is simply marvelous." From Pearl Provo, 2954 Taylor St., N. E., Minneapolis, Minn.: "I have been using your eyebrow and eyelash Method. It is surely wonderful." From Miss Flora J. Corriveau, 8 Pinette Ave., Biddeford, Me.: "I am more than pleased with your Method. My eyelashes are growing long and luxurious." Results Noticeable in a Week In one week — sometimes in a day or two — you notice the effect. The eyelashes become more beautiful— like a silken fringe. The darUng little upward curl shows itself. The eyebrows become sleek and tractable — with a noticeable appearance of growth and thickness. You will have the thrill of a lifetime— know that you can have eyelashes and eyebrows as beautiful as any you ever saw. Remember ... in 30 days I guarantee results that will not only delight, but amaze. If you are not absolutely and entirely satisfied, your money will be returned promptly. I mean just that — no quibble, no strings. Introductory price $1.95. Later the price will be regularly $5 .00. 'ffXA^i^^ Grower will be sent C. O. D. or you can send money with order. If money accompanies order postage will be prepaid. \ LUCILLE YOUNG, ■ ■ 856-B Lucille Young Building, Chicago, 111. J S Send me your new discovery for growing eye ■ J lashes and eyebrows. If not absolutely and S ■ entirely satisfied. I will return it within 30 days \ ■ and you will return my money without question. ■ ■ Price C. O. D. is $1.95 plus few cents postage. S S If money sent with order price is $1.95 and post • ■ LLgc is prepaid. S 5 State whether money enclosed or you want ■ ! order C. O. D. • ■ Namp ■ : : • St. Address ! good silent thriller. Any sound efiFect will have to be the hisses of the crowd, as "The Spider" spides around. Silent. IN OLD CALIFORNIA— Audible Film Corp. npHIS is about love and hate Under a Spanish -' Moon. The latter is the theme song and no opportunity is lost in singing it. We expected Henry B. Walthall to warble at any moment. The setting is California during the 70's, a languidly romantic period. However, . /-^t>axtt> » ■» „• j ,u I. J ■ lu c 1 L It t i\. A (j-KANU opportumty was missed somenothing happens durmg the first half of the /\ ^^^^^^ r^^r „,vi.f\,„. hp.n = „.„H picture, and after that it doesn t matter any tense, logical action, auQ oiltertaining dialogue. A gang of international jewel thieves get a yen for a particularly valuable collection of diamonds owned by a humorous old gentleman • on Long Island. Their leader takes one look at his proposed victim's ward, and renounces his Ufe of crime. Ian Keith's characteristic nonchalance is impressive in the role of "Light Fingers." All Talkie. LUCKY IN LOVE—Pathe how. Helen Ferguson and George Duryea are among those present. All Talkie. OH. YEAH'.—Pathe A SATISFYING saga of fistic and romantic •'»• encounters of two itinerant railroad bums — as told by two consummate artists in discreetly ribald dialogue. This is the first time James Gleason and Robert Armstrong have played together since "Is Zat So," the weUremembered comedy hit of the legitimate stage. Gleason wTote the dialogue udth Tay A RACY story of shady gentlemen with Garnett, the director — a devastatingly humor ■*»■ taking ways, who care in a big way for ZaSu Pitts put more than diamonds which do not belong to them. A where. This might have been a good picture, hokiun and all As it is, you'll laugh at it, not with it. Morton Downey is the buxom lad who gets back to Ireland in time to pay off the mortgage on a castle which looks like the Parliament Building. Most of it is siUy, and badly directed. The Downey hush-a-by tenor helps considerably, and there's a "foine" performance by J. M. Kerrigan. All Talkie. THE GIRL FROM HAVANA— Fox ous combination. unusual subtlety into a monologue which will panic the house. All Talkie. LIGHT FINGERS— Columbia npHIS is an all-talking crook melodrama of ■^ the better sort, in which scenarist and director have effected a fine balance between clever cast, headed by Lola Lane, Paul Page, Kenneth Thompson and Natalie Moorehead, was assembled, and they spent several weeks in Cuba. Lola Lane, as the beautiful girl detective, plays one of her most convincing roles. Above-average entertainment. All Talkie. These are Alan Dwan's Four Esquimaux — no relation to Joe Cook's Four Hawaiians. They appear in Lenore Ulric's first talking picture, "Frozen Justice." Reading from right to left — Ulgid Abced, Mary Abced and Joe Abced. And the other one? Oh, that's only Lenore Ulric Every advertisement in PHOTOPLAT MAGAZINE is guaranteed.