Photoplay (Jan-Jun 1930)

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All Really Two-Faced? Below, Greta Garbo, full face and head on. Mr. Benton chose this characteristic picture of the Swedish star for purposes of analysis, with the surprising results shown in the photographs to the left and right Above, the left side of Greta Garbo's face, showing a Garbo that perhaps you never even suspected. This, the subconscious side, displays an almost mischievous quality about the eyes. Benton finds optimism in this lighter side of Greta's nature, and even gayety The right side of Greta's face mirrors the Garbo we think we know — quiet, thoughtful, unobtrusive, even a trifle sullen. This, the conscious Garbo, is the girl who dresses quietly, shuns the spotlight in and out of the studio, and embodies the star's odd mystery The left side of Lon Chaney's face, as shown in the character portrait to the right. This pictures a man grim, sensitive and dour, fitted to many of the bitter characters Lon has played in his long career as one of the leading type actors of the screen. Not exactly a pal ! The analysis of this picture of Lon Chaney, shown below, is not to be taken as a study of the man himself, but of his extraordinary ability to portray dual-natured, bizarre types on the screen, or "Why Chaney is a Great Star" The right side of the character picture of Lon Chaney, to the left. A jolly friend and good companion, looked at from this angle. These two, out of Lon's thousand faces, when analyzed by Mr. Benton's method, form an astonishing contrast in human lights and shades 33