Photoplay (Jan-Jun 1930)

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By Marquis Busby Poor Charlie Farrell! Mary Duncan turned loose her stupendous charm in his direction, and Farrell is taking the count of nine as this picture is snapped by a snooping photographer. This is a scene from "The River," one of their best-known nictures for Fox Evelyn holds to the theory that the other woman on the screen is real and understandable as long as she has a motive for her wrong-doing. Evelyn made things pretty tough for Doris Kenyon, William Powell and Clive Brook in "Interference. " Here was a bad woman, but she never lost the sympathy of the audience. She was motivated by a tragic, hopeless love. Now if Margaret Livingston wasn't the other woman in "Sunrise" we'll hock the typewriter and open a laundry. Margaret, honest, frank and a prince of good fellows in life, has done some terrible things on the screen. " "X jfEN are naturally naughtier than women," she said. 1VJL" They're like kids, and they want to play with fire. I don't think one woman can ever completely satisfy a man, although he may be faithful to her. He likes the respectability of the wedded state; that is the rock to which he anchors. His wife runs the house and sees that he doesn't eat liver when it doesn't agree with him. She looks after his material well-being. The other woman looks after his moods. She jokes with him when he is gay, and is serious when he is serious. And she has time to please the playboy side of him. A woman has to keep a man interested. Maybe he needs a little spat now and then to keep him guessing. "I don't think the man is deliberately seeking a love affair away from his wife. He is willing to pay in some other way. The other woman expects to be paid. Usually she has some end to serve. Sometimes she gets caught in her own net, and falls in love with the man. "But a man gets a thrill out of the excitement of the thing — the escape from routine." Married women have a friendly interest in the other woman, accord [please turn TO PAGE l.il] Su^^i Jetta Goudal is a famous "other woman" of the screen, using her unusual exotic charm as bad news for the other sex. A scene from "The Cardboard Lover," the victim being the opera singer, Andreas de Seguroia 37