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Photoplay Magazine for SEPiEMiiiiR, 1930
TROOPERS THREE— Tiffany Productions.
— Concerns both kinds of troupers — backstage army. Slim Summcrville is funny. (April)
TRUE TO THE NAVY— Paramount— Clara Bow is the Kirl who has a boy on evi-n.' ship. Tlien the whole fleet comes in! Can y'imaginc the fun I (Ju!y)
UNDER A TEXAS MOON— Warners.— I-iRht satire on old-fashioned Mexican border melodramas. A gay and dasiiing Technicolor single, with Frank Fay and -Armida. {June)
UNOERTOWUniversal.Misguided psychological drama of life in a lonely lighthouse. Why didn't they call it "Lighthouse Blues"? Mary Nolan. John Mack Brown and Robert Ellis struggle against odds. {March)
UNDER WESTERN SKIES— First National.— Neither beautiful Technicolor scenery nor Lila Lee's fine performance do much for this one. {July)
• UNHOLY THREE. THE— M-G-M.— Lon Chancy talks, at last, in five voices, one of them his natural voice. Tlirills a-plenty. (.-I ug.)
UP THE CONGO— Sono Art— World Wide.— One more expedition into Darkest .Africa. If \i)u like them you'll like it. {April)
• VAGABOND KING. THE— ParamountFlash and clang of*word play. Dennis Kinn, as Frnncots Villon, sings and acts with opeialic abandon. Gorgeous Technicolor. Lilting Friml music. Jeanette MacDonald and Lillian Roth h 1; , and O. P. Heggic is grand. {May)
VENGEANCE— Columbia.— Melodrama with punch. Anotlier African native revolt. Jack 1! ' and Dorothy Revicr. {May)
WASTED LOVE— British International.— A i
wasted footage, except when Anna May Won.
unique personality flashes on the screen. Sii^ r; {March)
WAY OUT WEST— M-G-M.— One of the funni. 1 Billy Haines films in a long time. {Aug.)
WEDDING RINGS— First National.— Ernest Pascal's novel. "The Dark Swan," lost its original title and a great deal more. Lois Wilson, Olive Borden and H. B. Warner. {July)
WEST OF THE ROCKIES— J. Charles Davis
Prod. — Bandits, fast riding heroes, pretty senoritas. Same old Western plot. {April)
WHAT A MAN!— Sono Art— World Wide.— (Reviewed under the title "His Dark Chapter.") Reginald Dcnnys nice voice, and a trifling story about a gentleman-crook who isn't a crook after all, provide a pleasant enough evening. {May)
WHITE CARGO— W. P. Film Co.— Banned by Will Hays, but produced in London. Slow, badly recorded. Wasn't worth bootlegging. {May)
• WHITE HELL OF PITZ PALU— Universal. — Tliree pt_'0plc are trapped in the impassable mountain of Palu. A night search party sets out. Wonderful Swiss snow scenes and breath-taking airplane stunts. Unusual and intensely interesting. Sound. {July)
WIDE OPEN— Warners.Edward Everett HortMii and Patsy Ruth Miller play this somewhat vulgar i'tit amusing comedy with a pace that keeps you roaring. (June)
WILD COMPANY— Fox.— Another of those wild younger generation stories, but Frank Albertson gives it real punch. (.1 ug.)
WILD HEART OF AFRICA. THE— Supreme.— A glorified travelogue giving the lowdown on previously unheard-of Sudanese fiends in more or less human form. Silent. {March}
• WITH BYRD AT THE SOUTH POLE— Paramount.— A picture beyond the usual praise. You'll have to see Commander Byrd drop the American flag onto the South Pole to appreciate what an achievement it is. Wonderful entertainment from any standpoint. (Aug.)
WOMEN EVERYWHERE — Fox. — J. Harold Murray's cliarming singing voice, plus that ooh-la-la Ma'mselle, Fifi Dorsay. {July)
YOUNG DESIRE — Universal. — Conventional story of a circus girl who loves a rich boy, but treat'-d unconventionally. Pace, color and thrills. Mary Nolan scores. {June)
YOUNG EAGLES— Paramount.-Not another "Wrings." Buddy Rogers tlie flying hero. Jean Arthur his inspiration. Magnificent air photography, and satisfactory enough story. {May)
YOUNG MAN OF MANHATTAN— Paramount. —Two young newspaper writers get married, and then get temperamental. Claudetle Colbert and reallife husband. Norman Foetcr. Charles Ruggles adds hilarious comedy touches. {July)
145
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