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LET’S GO TO
THE MOVIES
WITH JANET GRAVES
V'VW'" EXCELLENT
y'Y V" VERY GOOD
'/V GOOD
^ FAIR
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The Happy Road M-c-n
Vv'v'v' Back from France comes producer-director-stai Gene Kelly, with a honey of a movie that combines heart hilarity and good sense. As a brisk American busi nessman in Paris, a widower, Gene has put son Bobb) Clark in a Swiss boarding school, but the kid makes i getaway, intent on joining his father. Along with hin goes Brigitte Fossey, whose divorcee mother, too, is ir Paris. While Gene and Barbara Laage team up to fine their children, the runaways breeze across country, aided by French youngsters. In a choice sequence, they’re chased by an entire NATO force, under the command ol stuffy Britisher Michael Redgrave. Both children are charmers, entirely natural. family
Gene thinks the French are inefficient; Barbara Laage calls Americans unfeeling; but at this moment they declare a truce
P
As Swiss greetings show, the music of Louis Armstrong speaks an international language
The Saga of Satchmo u.a.
t'VW' More than just a record of Louis Armstrong’s triumphant travels, this is also a close-up of a vital personality and an exciting concert, alive with the rhythms of classic Dixieland jazz. The music of Armstrong and his men is welcomed by the Swiss, the French, the English, with foot-tapping enthusiasm or solemn concentration. There are extra thrills on Africa’s Gold Coast, where Louis believes his ancestors lived. In every action, in all the facts about himself that he gives to producer Edward R. Murrow, “Satchmo” comes across as a happy man, widely respected and enormously successful in work that he deeply loves. family
Continued
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