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“I got beaten up and started the plot rolling!” Geoffrey Horne said, surprised. recently about bis smashing film debut in “The Strange One.” What tall, handsome twenty-four-year-old Geoff didn’t add was that that beating up also started his own personal career ball rolling.
For with his next two roles — first as the young commando in “The Bridge on the River Kwai,” for which he won widespread acclaim, and next as Jean Seberg’s lover in “Bonjour Tristesse” — by virtue of his undeniable talent and curly-haired, blue-eyed good looks, Geoff now stands on the brink of stardom. And the idea is not altogether a happy one.
“A friend of mine recently remarked, ‘You should enjoy your success more,’ and I wish I could.” he confided. “But you must always face the question: How much of it do I deserve and how much was just handed to me?” His basic uncertainty about this and other matters is well-covered by a steady stream of quips, like these samples:
On seeing oneself on film: “It’s torture — an actor rarely comes out of one of his movies liking himself.” On criticism of his work: “I’d almost rather people would say, ‘It stinks!’ than ‘It’s good.’ That way I could work over what’s wrong.” On himself in movies: “Let’s face it — I’m better-looking than I am in real life.”
His favorite hobby? “Sleep.” What does lie look for most in a woman? “Sex appeal.” Anyone who troubles to peer behind this flip veneer will discover a young student of acting.
Born in Buenos Aires (to American parents), he was educated in Cuba, in New York (where he flunked many subjects and managed to squeeze through) and the University of California. All the trouble that college dramatics had given his studies only intensified his ambition. Three months after graduation, he was in New York
YOU ASKED FOR
GEOFFREY
HORNE
to try for an acting career. It wasn’t easy.
Was no one impressed? Geoff had the remedy for that: persistent phoning to Lee Strasberg. Possibly exasperated by having his phone tied up day and night for two months, the head of the famed Actors’ Studio admitted the boy to his private class. Two years and ten TV shows later, Geoff was made a member of the Actors’ Studio, and soon went into “The Strange One.”
Geoff considers himself lucky with his three films to date. The ten-month jaunt to Ceylon for “Kwai” was a particularly pleasant memory. “In New York, if you’re not busy every minute,” he said, “you somehow feel as though you’re wasting time. But in Ceylon, during the many times I wasn’t before the camera. I’d play chess, swim, walk, read and just generally relax. It was great. And we had our fair share of excitement,” he added. “One day, an old elephant, who’d already killed two men, charged us, and the whole company really took off. Then there was the day that three men almost drowned.”
Geoff credits “Kwai” director David Lean with his favorite piece of advice: “Don’t be boring-sensitive.” He translates this by observing, “The ‘sensitive young man’ is currently all the rage in plays, TV dramas and movies. Y’know, the one whose mother didn’t like him and all that, and frankly, who cares?” Being mired down in that kind of a role is Geoff’s own private nightmare.
Geoff confesses to a preference for Marlon Brando, Marilyn Monroe, rock ’n’ roll, Japanese food, water-skiing, a beach comber’s life — and Nancy Berg, the model-turned-actress. He met Nancy, a fellow acting student, at a restaurant. following separate classes, and “Wham! That was it!”
Ask Geoff seriously what he likes in a woman— blond? brunette? good conversationalist? good cook? — and he wraps it all up with a fervent “Whatever Nancy has is what I want.”
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