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GOOD y FAIR
'SWV EXCELLENT VERY GOOD
get more out of life
What’s on tonight?
to see the best! Look for
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at your favorite theater
The Hanging Tree warners, technicolor
In a story that keeps out of the old wagon ruts, Gary Cooper, at his western best, meets a leading lady who’s a real match for him. A doctor in an 1870’s Montana goldmining camp, Coop’s a brooding, stand-offish type, kind to his patients, but tough when he has to be. And he tries to run other people’s lives. First, he takes on Ben Piazza, as a kid he rescues from a lynching. A newcomer from the Broadway stage, Ben has the Creek-statue sort of good looks — cropped blond curls, blue eyes, full lips — but his bearing gives you the idea there’s going to be an explosion any minute. The second person the doctor tries to dominate is a Swiss immigrant girl, only survivor of a stagecoach hold-up. Maria Schell (pictured bottom left with Gary) started her American career with a classic, “The Brothers Karamazov,” but she’s much more at ease in this western! She makes a convincing pioneer woman when she and Ben cut loose on their own and team up in a gold-mining venture. They bring in a third partner, a baddie, but their mistake is a break for us, ’cause it gives Karl Malden a chance at some fancy acting. The details are fine; you feel as if you’re right there in that rugged mountain camp, with trouble coming at you as trigger-fast as Gary’s draw. family
The Sound and the Fury 20th; cinemascope, de luxe color V'V'V''/ If you liked “The Long, Hot Summer,” you’ll love this screen adaptation of still another William Faulkner novel. It plunges Joanne Woodward into a mixed-up Southern family again, but its emotions run deeper, and its people’s problems are worked out more believably. Most important, it has Yul Brynner (pictured top left with Joanne and Ethel Waters). For the first time, he plays a presentday American, wearing ordinary business suits and wellclipped (if slightly receding) hair. And he’s still a most remarkable man — it’s hard to keep your eyes off him. As head of the household, he considers himself Joanne’s guardian. The situation makes her furious, because he isn’t even a blood relative, only her late grandfather’s stepson. (That shows you just how mixed-up the family is.) You’ll find a whole gallery of splendid performances: Margaret Leighton as Joanne’s mother, a faded beauty, pathetic, selfish and weak (especially on morals); Jack Warden as Joanne’s uncle, a hulking man with the mind of a child; Ethel Waters as the old servant who is, next to Yul, the strongest personality in the house; Stuart Whitman as a hot-blooded young drifter who’s going to take Joanne away from all this — she thinks. Though Joanne is no teenager, what she’s really involved in here is the wistful, wonderful, worrisome business of growing up. adult
It Happened to Jane Columbia, eastman color
V'V'V'/ Happily, this picture is a lot like Doris Day as we love her: bubbling over with fun, but full of practical common sense, too. As a young widow in a small town in
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