Photoplay (Jan-Jun 1961)

quietly, without raising his voice. And Dolores knew what he meant. But as the time for his departure grew closer, she panicked all over again. She had tried to change, to be stronger and less demanding. But it was no use, and, because of her panic, she weakened. She couldn’t stop herself from saying, “Now that I’ve changed, do you love me again? Now that I’m different, do you love me?” She was foolish, but she was a woman in love, and she wanted Don to need her as much as she needed him. His only reply was, “I am not conforming to what you think I ought to be.” He had said this before. And now there was nothing more that he could say. He left, and he refused her permission to visit him on location. Dolores was in despair. “Separation is death to two people who love each other,” she says now. “It contributed to the end of my first marriage, and I dreaded it. War and death should be the only separators. Otherwise, the thread is snapped and the tie broken.” There were a few phone calls from St. Louis, not many, and a few letters. Again, not too many. She lost weight. After a while, she tried dating, but it was no use. She still loved Don. And. in loving Don. a married man, she had no secure ground to stand on. She knew in her heart it was killing their relationship. “I finally came down to the level of an apology,” she admits. “I had destroyed a lovely appreciation in Don Murray, and I knew it. He could say if he chose, ‘I called you a lovely woman. You’re not. You're less than a girl.’ “He would have been right. I hadn’t reacted to the situation as a woman. I had been even less than a girl in my reactions.” He’ll never forget her “I created all the problems. I did it all. I fell in love with a married man. “A man with children is never really divorced anyhow. A part of him is always married to the mother of his children. And Don is devoted to his children. “Don could never have been totally mine under those circumstances. He had a son and a daughter. And his heart would always have been with them, of course.” Don and Dolores see each other occasionally now, but as friends. The frenzy seems to have died down. Dolores went about the preparations of her new film. “Battle at Bloody Beach,” with resigned calm, and left for the six weeks location on Catalina Island. Another separation. But men don’t forget Dolores easily. “My beaus even from way back in grade school always come back into my life, as friends,” she says. So who knows — maybe Don Murray will one day come back into her life, too. And if not, perhaps Dolores will have learned something from her relationship with Don. She was young and foolish, and she was looking for romance. She made the mistakes of a woman in love. But she’s the first to admit that her biggest mistake was falling in love with a married man. — Julia Corbin Don and Dolores are in 20th’s “One Foot in Hell.” Don is also in “The Hoodlum Priest” for United Artists, and Dolores is in 20th’s “Battle at Bloody Beach.” Are You the One Woman in Five Who Refuses to Change the Color of Her Hair? Many women in search of new hair beauty dye to a different color. They feel their hair is so drab that nothing less than a drastic change will do. But you may be the one woman in five whose hair looks loveliest au naturel — whose true hair color is the most flattering of all. In that case all you need is to add lustrous highlights — to intensify and bring out the best of nature’s own color. A quick Marchand’s Rinse after each shampoo does both these things. It leaves the hair sparkling with highlights and accents natural color. Try it! Marchand’s Rinses are temporary; they wash out easily. 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