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F/BSP fheyre
so easy to fe//f
and so easy to use /
Women who use tampons should learn about FIBS. Because FIBS have those smooth, gently tapered ends that tell you at a glance insertion must be both easy and comfortable.
FIBS are the tampons that are "quilted” — a feature fastidious women are quick to appreciate. This "quilting” prevents tiny cotton particles from clinging to delicate internal membranes.
Besides, quilting makes a very real contribution to your comfort — keeps FIBS from fluffing up to an uncomfortable size which could otherwise cause pressure, irritation, difficult removal. No other tampon is quilted!
Next time you buy tampons be sure to ask for FIBS*!
after
By Lester Gottlieb
It’s melody time again with Photoplay selecting recordings of songs yon loved from your favorite films
THE HOUSE I LIVE IN
A patriotic primer for teen-age tolerance that is not only a stirring RKO short subject but a fine song sung from the heart by Frank Sinatra (Columbia). Appropriately enough, "America, The Beautiful” is the companion piece.
DOLL FACE
Perry Como clicks with two top-drawer tunes from his newest picture. The first is a Gl-jive mixture, "Dig You Later (A Fdubba-Hubba-Hubba) ” with "Fdere Comes Fieaven Again” saved for the romantics on the B-side (Victor). Another song from this 20th Century-Fox filmusical is the novelty, "Chico, Chico From Porto Rico,” disked by the diminutive DeMarco Sisters of Fred Allen airwaves note (Majestic).
EASY TO WED
If your ears were cocked to the sound track as your eyes feasted on Van Johnson and Esther Williams, then you’ll remember this new M-G-M film’s theme song, "Come Closer To Me.” Ffere’s Larry Stevens to sing it (Victor) without forgivable distractions. For good measure the musical mate is "It’s A Grand Night For Singing.”
ROAD TO UTOPIA
Hope and Crosby, the nation’s most popular partnership, are mirthfully merged for as many reprises as your needle can groove. This Decca-rative disk has Bing and Bob cavorting in "Put It There, Pal” from their newest Paramount path, paired with the even more amusing but older "Road To Morocco” (Decca).
TARS AND SPARS
This belated but still welcome Coast Guard cinema gives Freddy Martin’s orchestra ample opportunity to display its distinctive dance tempos with "I’m Glad I Waited For You,” patiently sung by Clyde Rogers. The reverse is a dance digest of Rachmaninoff’s Concerto No. 2, ivoried by talented Jack Fina (Victor) .
YOLANDA AND THE THIEF
Kay Kyser delivers the best collection of tunes from the Fred Astaire-Lucille Bremer M-G-Musical fiesta, paced by the lovely "Angel” and the more romantic "Coffee Time.” Sugary lyrics by a fine new baritone, Michael Douglas (Columbia).
SARATOGA TRUNK
Still another haunting melody from a picture which primarily relied upon its Max Steiner score for changing moods. Tuis one is called "Goin’ Home” and Bob Eberly sings it nostalgically (Decca). The more familiar theme song "As Long As I Live” is on the reverse. Johnny Johnston (Capitol) keeps pace in the swoon sweepstakes with his own individual treatment of the latter song.
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