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( Continued from page 94) safety of numbers and her trust in her two beautiful girls.
Besides, the family circle (Grandmother Carr had just died) was now entirely concentrated on Jeanne’s career in movies. If Jeanne had to be on the set at seven, which meant rising at five, they all went to bed the night before at eight, so she’d have enough sleep. Mrs. Crain drove Jeanne back and forth to the studio daily and saw to it that her idealistic nineteenyear-old daughter got proper food, a lot of rest and plenty of time for study. As far as her child’s earnings were concerned, since she was less than twentyone, the California law automatically put fifty per cent of them into War Bonds, twenty-two per cent more went to taxes, ten per cent to an agent, leaving Jeanne a very modest personal income on which to live.
As for Jeanne, herself, with her native good sense and intelligence, she divided her days into what she called her public life, her public-private life, and her private-private life. The first meant her work and all that it demanded. The second meant things like her public dates with Lon McCallister, which her studio suggested and which Jeanne was agreeable to, since she has always been very fond of Lon. Her private -private life was when she was just being herself, at home with Mama and Rita, or double -dating with Rita.
0 UT in the spring, summer and fall of ^ 1944, the boys of eighteen to twenty began disappearing, on their ways to New Guinea, to Europe, to Attu, to China. But Paul Brinkman, as head of a small war plant, was told to stay home, and so, in what free time Jeanne had after finishing up “Home In Indiana” and “In The Meantime, Darling,” and “Winged Victory,” he was around, to take her places.
Actually, up until the fall of 1944, Jeanne had few dates alone with Paul. The very first one had been on New Year’s Eve of 1943. They went, to a very small, private party together at the home of Tex Feldman, and when the lights were put out, in accordance with the old custom, at midnight, Paul kissed Jeanne.
“I was wearing a white taffeta dress embroidered in gold,” Jeanne says, “and
1 felt so grown-up, and Paul kissed me so sweetly and in that moment before the lights were turned on again he said, ‘This is the girl I’m going to marry.’ He said it just like that — -no ‘will you’ or anything.’ ”
She wasn’t sure that she was Paul’s girl, that first moment of 1944, or even later in the summer, but his continual romantic wooing was winning her more than she knew. He taught her to play tennis — he being an expert at it; he rode horseback with her. A rich boy from birth, he told her (she, who had never been outside of California except on the “Home In Indiana” location trip) about the foreign lands he had visited, the foreign, romantic sights that he had seen. Her mother told her she was too young to settle down to one steady date and she abided by that advice. Nevertheless, when she and Rita were together, she found it hard to keep off the subject of marriage. The girls mentioned no names, but they discussed the weddings they would have. Rita would be Jeanne’s bridesmaid, Jeanne would be Rita’s.
When Christmas of 1944 came around, Jeanne wanted to give Paul a present. Her mother wouldn’t permit her giving him anything more personal that a very nice billfold. Jeanne obeyed, but Paul gave her a beautiful bracelet. This she knew her mother wouldn’t permit her to keep, so she hid it. It made her roman
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